“I asked myself – why don’t I state the race of my characters? And am I doing something wrong by not explicitly including a diverse cast of characters? Could I be doing something better? The short answer is yes.” An argument in favor of race bent fanfiction and resisting assumedly white characters from The Missouri Review blog.
Don’t Assume
Publish or Perish, But Please Don’t Peer Review
The recent shuttering of the University of Missouri Press raises an important question for all academic publishers: is the cost of peer review to blame?
A Really Quick Exorcism
It’s that time of the week wherein I remind you about the hilarious series over at Electric Literature, “Ted Wilson Reviews the World.” This week, Ted tries his best to remain impartial while reviewing that one sneeze he had: “The sneeze I had came on so quickly I didn’t have time to put my hand over my face and the spray went everywhere. It made me wish I had been standing over a salad bar so there would have been a sneeze guard handy. That’s why if I’m about to sneeze at Olive Garden I immediately sprint for the salad bar.”
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Two Good Things
USA Today is running an excerpt of Denis Johnson’s much buzzed about new doorstop Tree of Smoke.The New Yorker Food Issue, to my mind the highlight of the New Yorker publishing year, has arrived. Somehow I look forward to this one as much as I did the Sports Illustrated Swimsuit Issue when I was twelve. Much of the good stuff isn’t online, but you can get a taste of the food writing on offer with a series of short essays under theme “Family Dinner.” Aleksandar Hemon, Gary Shteyngart, Nell Freudenberger, Chimamanda Ngozi Adichie, David Sedaris, Anthony Lane, and Donald Antrim are on the menu.
The Real-Life Inspiration behind Hugo’s Quasimodo
The Telegraph reports that a new discovery appears to reveal that Quasimodo, the seemingly mythical hero of Victor Hugo’s The Hunchback of Notre Dame, may have been based on a real-life figure.
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Neomysterativity
The term “academic writing” is controversial, not least because it implies that academics have an odd and persnickety way of writing. In a blog post for The New Yorker, Joshua Rothman examines the genre, looking back on his time in grad school to argue that academic writing is a “fraught and mysterious thing.”
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This is the stupidest thing I’ve ever read. The assumption that one can only admire or empathize with characters in fiction (or people in life) if they are the same gender and race as ones self is ridiculous and counter-productive. It should be the thoughts and the behaviors of characters that matters. Emphasizing a character’s color as the source of their importance and depth is superficial and divisive.
Well said, morty. You shouldn’t need to pat yourself on the back while telling everyone that you’re writing characters who are a different gender or race than you. That idea misses the entire point.