“I asked myself – why don’t I state the race of my characters? And am I doing something wrong by not explicitly including a diverse cast of characters? Could I be doing something better? The short answer is yes.” An argument in favor of race bent fanfiction and resisting assumedly white characters from The Missouri Review blog.
John Jeremiah Sullivan's NY Times essay "You Blow My Mind. Hey, Mickey!" was a big hit last June. Next October, FSG will publish Pulphead, his second collection of essays. To tide you over until then, you can listen to The Paris Review's Southern Editor read an excerpt from his Disney piece.
“Everywhere in the language of this collection is the deliberate and sustained glorification of the human. Long after his 11 months in what he calls the Lager (Auschwitz III), as a survivor, Primo Levi understands evil as not only banal but unworthy of our insight – even of our intelligence, for it reveals nothing interesting or compelling about itself.” Toni Morrison on The Complete Works of Primo Levi in The Guardian.
New this week are Anita Desai's The Artist of Disappearance and P.D. James' Pride and Prejudice sequel Death Comes to Pemberly. Joseph Gordon-Levitt hangs up his acting duds to put out The Tiny Book of Tiny Stories: Volume 1, and, speaking of tiny stories, there's Lou Beach's 420 Characters: "these crystalline miniature stories began as Facebook status updates." On the nonfiction side, there's Extra Virginity: The Sublime and Scandalous World of Olive Oil by Tom Mueller.
When your father shows you The Wrath of Khan at a young age, you develop an appreciation for the late Leonard Nimoy, whose death scene as Spock in that film is among his most famous performances. For Jen Girdish, that appreciation led to this essay, which reflects on Nimoy, her father’s own death and the onetime ubiquity of VHS tapes.