Miss this year’s AWP? The New Yorker has published a brief write-up of the conference, just to make you jealous.
Why is Hamlet so maddeningly indecisive? It’s a question as well-trod as any in literature, yet few people question that dithering is what defines the Prince of Denmark. In The Irish Times, Brian Dillon looks at another way of thinking about the character, one laid out in a recent book, that centers on the idea that Hamlet is crippled by “the burden of knowledge itself.”
“I take to heart Percival Everett’s point that all writing begins as experiment. Experiments are hypo/theses; wagers; fermentations or useless admixtures; mud pies and blood pies.” Miranda Mellis talks with HTMLGiant’s Christopher Higgs in the next installment of Higgs's essential “What Is Experimental Literature?” interview series. It’s worth perusing the the back catalog if you missed the first three, with the fabulous Debra Di Blasi, Danielle Dutton, and Bhanu Kapil.
This week brought news that NOX, Antigonick, and Red Doc> author Anne Carson is headed to Annandale-on-Hudson to become Bard College’s “Visiting Distinguished Writer in Residence.” Carson’s praise has been sung far and wide on The Millions, and even earned admiration from a pair of Janes: both Alison and Hirshfield.
"Too often, being on the left tasks you with a vigilant daily quest to avoid being tagged with snobbery. In sociological living, we place value on those works or groups that seem most likely to force a reevaluation of an exclusive or oppressive order, or an order felt to be oppressive simply because exclusive. And yet despite this perpetual reevaluation of all values, the underlying social order seems unchanged; the sense of it all being a game not only persists, but hardens." From n + 1, the latest "Intellectual Situation": "Too Much Sociology."