“It’s easy to attribute genius to a dead man, a legendary philanderer, liar and self-mythologizer who died beautiful and curly-haired. But ‘What About This’ is an authentic outpouring like a warm river in full flood; you get swept off the bank and its languid physicality destroys you.” On Frank Stanford’s Collected Poems.
It’s easy to find essays targeted at writers that argue that rejection isn’t really that bad. In her new book, How to Not Write, Lisa Carver takes the argument a step further, as she says that not only does rejection not hurt you, it “frees you” and “facilitates action.” At The Rumpus, an excerpt from the book.
To date, Hercule Poirot, the Belgian detective created by Agatha Christie, is the only fictional character to get his own obit in the Times. At the LARB, Rumblr editor Molly McArdle looks back on Poirot, the very long-running TV series that ended on November 13th. (h/t The Rumpus)
There are two essays on the narrative genius behind The Twilight Zone, Rod Serling, over at Berfrois: Michael A. Moodian on how using genre tropes allowed Serling to tell politically volatile stories during the McArthy era of Hollywood, and Christopher Cappelluti takes a look at how The Twilight Zone changed television history.