“It’s easy to attribute genius to a dead man, a legendary philanderer, liar and self-mythologizer who died beautiful and curly-haired. But ‘What About This’ is an authentic outpouring like a warm river in full flood; you get swept off the bank and its languid physicality destroys you.” On Frank Stanford’s Collected Poems.
Black Country, the debut book of poetry by Liz Berry, won this year’s Forward prize for best first collection. At The Guardian, Ben Wilkinson writes about the ways in which the book “digs deep into the poet’s West Midlands roots, enlivening and reimagining the heritage of that eponymous heartland of iron foundries, coal mines and steel mills, on both personal and public footings.”
“Imagination for me has always been about the spaces in between, a sort of filler that completes a picture. If what we know is the jaggedness of the ocean floor, then imagination is the body of water that defines what is hidden and what is seen.” This essay on interstices and representing Hawai’i Creole English as a legitimate literary participant is excellent.
This week has been full of news about unorthodox children’s book authors. First, there was Keith Richards’s picture book, and now an Australian academic claims that Kim Jong-il and Kim Il-sung wrote children’s books, too. “I was astounded that children’s books (purportedly) written by Kim Jong-il and Kim Il-sung were vastly more readable than one would expect from any political leader in the democratic west, still less a severe authoritarian,” doctoral student Christopher Richardson said.
Millions contributor Magdalena Edwards just published a piece on Norman Rush in The LA Review of Books. It includes the first published excerpt from his forthcoming novel Subtle Bodies, which will be released in 2013. Additionally, Rush will read in a rare appearance at the Hammer Museum in Westwood tomorrow.
“Rather than showing one isolated capsule, the new hall would encompass nature and the human world…. The central theme would not be a certain animal, or even the landscape portrayed. Not one story but the fact that the stories are there. Albert E. Parr, strongly influenced by the burgeoning field of ecology, believed that the interconnectedness between disciplines was the story of the world.” Jaime Green writes for Longreads about the narratives behind the exhibits at the American Museum of Natural History. Also check out our own Bill Morris’s piece on the new Whitney Museum.