“It’s easy to attribute genius to a dead man, a legendary philanderer, liar and self-mythologizer who died beautiful and curly-haired. But ‘What About This’ is an authentic outpouring like a warm river in full flood; you get swept off the bank and its languid physicality destroys you.” On Frank Stanford’s Collected Poems.
“Bleeding beautiful streams”
“Hardly Shakesperean at first”
Recommended Reading: Ted Widmer on the miscellaneous writings of Abraham Lincoln.
Papismo
Legend has it that Hemingway, after reading a review of his work that he didn’t like, strode into the reviewer’s office and slapped him across the face with a book. Upset over a line that questioned his bravado — the line compared his writing style to “wearing false hair on the chest” — Hemingway tore off his shirt to prove his chest hair was real. This week, The New Republic republished the article that started the fight. (For a lighter take on the author, you could read Stephanie Bernhard on cooking recipes in Hemingway’s fiction.)
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NYRB in the NYPL
Exciting news — the New York Public Library has acquired the archives of The New York Review of Books. You could also check out Sam Allingham’s piece about his experience working in a library.
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So I’m Reading with an Axe Murderer
Matt Seidel has a helpful guide for book clubs across the country: How To Tell If Someone In Your Book Club Is a Homicidal Maniac. One possible clue? He contributes to the Water for Elephants discussion by “telling anecdotes about torturing animals as a child.”
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Smile!
“Publishing is also an industry that selectively values a kind of swaggering authenticity that would never capitulate to demands for something so banal as being nice. But authenticity is too often a short hand for callous, aloof, or honest for the purpose of cruelty rather than truth-seeking.” Alana Massey writes about the “niceness” of publishing.
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The James Salter Diet
James Salter’s women are “described over and over again as meals for the male protagonists to enjoy and then leave behind in various western European countries,” Lidia Jean Kott argues. Read Sonya Chung’s take in our review of All That Is.
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