From our own Michael Bourne comes a new short story, “Beautiful,” available from The Southampton Review.
The work of literary cartoonist Grant Snider has been featured in such places as the New York Times and Electric Literature (part 2, part 3). We also love this comic on poetry. But don’t wait for the curators to endorse your dose of comic cheer–every one of these pieces can be seen on Snider’s Tumblr page.
Columbia once moved its twenty-two miles of books by sending them down a really, really long slide. As The Paris Review documents, in 1934, the university stocked its then-new Butler Library with a slide that ran from Low Library to the new building. (No word on whether the slide is secretly used to this day.)
“I have a theory: the thing that makes you a unique writer hasn’t got so much to do with your influences as it does with how you became a writer in the first place. I think your preferences—your obsessions—come just as much from the first sorts of things you consumed and were passionate about. Whether that’s pop music, comics, “lowbrow” fiction, soap operas, or anything else, the thing that matters most is what started you writing stories.” Amber Sparks writes about “lowbrow” influences and the many paths to becoming a storyteller in an essay for Electric Literature.
Here’s everything you’ve ever wanted to know about the communion wafer’s place in free-market capitalism.
Novelists, poets, and playwrights aren’t the only people who can call themselves writers. Don’t forget the oft begrudged screenwriters. The New York Times highlights 14 of this year’s best screenwriters, including Julie Deply and Seth Rogen, and asks them for writing advice and one original line of dialogue for some excellent short films. Our favorite short film is Robert Redford’s.