A while back, our own Mark O’Connell argued that Flann O’Brien, in The Poor Mouth, was the funniest writer who ever lived. Now, in an essay, Erin Somersin says the title should go to Mordecai Richler instead. She writes about the Canadian author’s unique sense of humor in a piece for the Ploughshares blog.
Among Jorge Luis Borges’s observations about soccer were the following: “Soccer is popular because stupidity is popular;” soccer is “aesthetically ugly;” and “soccer is one of England’s biggest crimes.” That is to say: his distaste is well documented. But why did he feel this way? Millions contributor Shaj Mathew takes a look.
New Yorker darling Tessa Hadley has a new novel out this week, The London Train. Also out is the controversial oral history of ESPN, Those Guys Have All the Fun: Inside the World of ESPN, which reportedly offers up ample doses of insider gossip and bad behavior. And finally, there’s The Influencing Machine: Brooke Gladstone on the Media, in which contemporary journalism is explored in a graphic novel format. Here’s a taste.
“The first section of the book inevitably ends up taking on a Rashomon-ic quality, as Sotatsu’s father, mother, brother and sister all get their say about what transpired during his time in prison, along with a prison guard who observed him. But [Jesse] Ball doesn’t let them fall into the he said-she said realm of one-note characters — these are fully fleshed-out people, whose thoughts, emotions and agendas are as real (and sometimes as contradictory) as your own.” On Silence Once Begun.
Want to make your writing more dramatic? Try using a typewriter. Tom Hanks professes his love for typewriters in The New York Times. “Everything you type on a typewriter sounds grand, the words forming in mini-explosions of SHOOK SHOOK SHOOK. A thank-you note resonates with the same heft as a literary masterpiece,” he writes. Pair with: A St. Louis man placed typewriters around the city in hopes that residents will share their stories.