“It is a privilege and a gift and an honor to be a debut author, but it is, above all things, an existential test.” Courtney Maum writes about the darker side of publishing a first book.
An Existential Test
On (Not) Being a Woman Writer
Lio Min on being an "Asian American woman" who writes about "Asian American women's issues"—and then no longer fitting into one of those identities.
●
●
●
Remembering Ronan
Last Friday, the writer Emily Rapp’s three-year-old son Ronan passed away from Tay-Sachs disease. Because Emily is part of the greater Rumpus family, the site is honoring Ronan’s memory by publishing a tribute by her friend Jennifer Pastiloff. They’re also encouraging people to help fight Tay-Sachs disease here.
●
●
Does this mean Will Ferrell will play Steve Eisman?
The man who directed such Will Ferrell vehicles as Anchorman, Talladega Nights, and Step Brothers is turning toward the world of finance for his next movie project. That’s right. Adam McKay is adapting Michael Lewis’s The Big Short for the big screen.
Just Stop There
What do Susan Sontag, Joan Didion and Year in Reading alumna Margaret Atwood have in common? They’re all great writers — and they all had only one kid.
Story Time
The Portable Story Series is accepting submissions to their inaugural contest, judged by Year in Reading alumna Kate Christensen. The theme is hunger, the genre is fiction, the word count is 2000-4000 words, and the deadline is March 28, 2016. The contest benefits three charitable organizations.
●
●
I Am Jack’s Graphic Novel Sequel
Chuck Palahniuk dropped big news at San Diego’s Comic Con last week: he’s currently working on a follow-up to Fight Club… in the form of a graphic novel. “It will likely be a series of books that update the story ten years after the seeming end of Tyler Durden,” he told attendees. “It will, of course, be dark and messy.”
●
●
Should’ve Known Better
“Grief doesn’t only disturb life; it disturbs the way we talk about life. As myriad aspects of our existence are questioned and reexamined in the wake of a death, so too is our relationship with the language we rely on for our grief’s expression.” This track-by-track take on Sufjan Stevens’s Carrie & Lowell from The Rumpus is really just a magnificent, emotive piece on elegy.