“You write to please yourself. You write for the joy of writing. … The enthusiasm, the joy itself draws me. So that means every day of my life I’ve written. When the joy stops, I’ll stop writing.” Recommended viewing: an animated interview with Ray Bradbury.
Millions contributor Kaya Genç reports on Istos, a Greek-owned publishing house based in Istanbul, Turkey, that’s “interested in challenging the partial, nostalgic stereotype of the old Greek community as a fashionable elite.” Meanwhile, across town, the Çağlayan Courts of Justice shocked the Turkish literati with a warning for the Sel Publishing House: stop publishing the “obscene” works of writers like William Burroughs and Chuck Palahniuk.
Andrew Phelps interviews Sarah Wolzin, director of MIT's new Open Documentary Lab, which "brings technologists, storytellers, and scholars together to advance the new arts of documentary." The Lab, according to Phelps, is "part think tank, part incubator for filmmakers and hackers."
New Yorkers! Come out tonight and celebrate Kingsley Amis alongside the Volume 1 Brooklyn crew, the New York Review of Books Classics publishers, and also such guests as Parul Sehgal, Rosie Schaap, and Maud Newton. There will be free gin! However if you can’t make it, you can treat yourself to the Kingsley Amis Desert Island Discs from the comfort of your own home. The discs, recorded around the time The Old Devils was published, reveal the author’s views on “novel mechanics,” the “Welsh temperament,” and his affinity for jazz.
Harper Perennial is pairing the expansive resources of a major publishing house with the exciting risks of an indie press. Could this magical formula catch on at other houses?
"The lie I told most often in my twenties during the Reagan era was that I liked other people’s children although I didn’t intend to have my own." For The Rumpus, Kyoko Mori writes an essay on the choice to raise animals instead of children. Pair with: an essay on the complexities of motherhood.