“You write to please yourself. You write for the joy of writing. … The enthusiasm, the joy itself draws me. So that means every day of my life I’ve written. When the joy stops, I’ll stop writing.” Recommended viewing: an animated interview with Ray Bradbury.
Ever spent the whole day reading The Hunger Games and then found yourself paranoid that a tribute was following you? Don’t worry; you aren’t crazy. Turns out that reading a really gripping novel can cause our brains to believe we are in the body of the protagonist, and this effect can last for days after reading according to a scientific study.
“You don’t have to immediately quit your job to become a writer. You need only to start writing.” The New York Times transcribes an excerpt from the “Dear Sugars” podcast with Cheryl Strayed and Steve Almond. For more writerly advice, see our own columnists Swarm & Spark on whether writing a novel will jeopardize your mental health.
Hollywood Notebook by Wendy Ortiz is both a book of poetry and a memoir. Composed of several prose poems, the book depicts her evolution into a poet in her early thirties, following up where her previous memoir Excavation left off. At The Rumpus, Lesley Heiser analyses the book, with references to Phil Klay’s Redeployment and Hermione Lee’s biography of Virginia Woolf.
Are you a woman of color writer in need of the time and space provided by a writing retreat, ideally in October? Then you’re in luck, applications for the Jack Jones Literary Arts retreat have just opened! New York Times Magazine writer Jenna Wortham is this year’s Writer-in-Residence. Applications are due April 1st and there is a $35 application fee. But if you hurry you might be able to get your application fee waived thanks to generous donors. We urge you to apply now and wish you the best of luck!