“I don’t divide my friendships into continental categories. I don’t think: Today I’ll have lunch with my European friend, and tomorrow I will invite my Asian friend to the park. It would be silly of me to think of the authors I read in those terms. End of topic.” The (still relatively) new Literary Hub interviews Valeria Luiselli about the literary tradition, authors’s names, magical realism and her new novel, The Story of My Teeth.
Against “Continental Categories”
Egyptian Writers on the “Unfinished Revolution”
In the run-up to the Egyptian elections, writers and booksellers discuss the military clampdown following Mubarak’s fall.
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RIP Mark Strand
In memory of Mark Strand, who passed away on Saturday, the Paris Review Daily published a manuscript page from “A Piece of the Storm,” a poem that appeared in Strand’s collection A Blizzard of One. They also included links to several poems of his they published, as well as his Art of Poetry interview.
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Choose Your Highsmith!
The fine folks at Norton have made all of Patricia Highsmith’s books available in eBook format, and to celebrate the move, they’ve crafted a website dedicated to the author’s work. Choose Your Highsmith features a recommendation engine while will instantly pick a Highsmith book to match your selected criteria. There’s also a great video in which Alison Bechdel, Robert Weil (Highsmith’s editor at Norton), Joan Schenkar (Highsmith’s biographer), and Terry Castle share their love for the author of the Mr. Ripley series.
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A New Modesty
Recommended reading: The Chronicle of Higher Education reports on the new modesty of literary criticism and the complicated relationship between texts, critics, and politics. For more on the balance between art and politics, look no further than Jonathan Clarke‘s Millions essay, “Alive with Disagreement and Dissent.”
I am throwing up in my hat.
So, not only does The Paris Review now have a “booty call” tag on their blog, but certain of their editors can be seen dishing out fashion advice in the fiction issue of VICE. Party on, Paris Review. Party on.
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“It tasted like iron and foam was coming out of our mouths”
The VQR‘s last issue, “The Soviet Ghost,” was one of the most heart-wrenching reading experiences I’ve had in a long time. Now it’s got a series of video interviews with Chernobyl workers to seriously depress (and also greatly inform) you all over again.
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