After thirty years, Larry Kramer has finished his novel The American People, which he prefers to consider a new form of nonfiction. In the novel, a narrator based largely on Kramer writes a historical expose, also titled The American People, in which numerous American icons are described as having been gay. As Kramer says, he wrote the book in part out of a feeling that gay people are excluded from history books.
Picador’s Gabrielle Gantz is holding monthly conversations with bloggers, and she posts the results on the publishing house’s fantastic Tumblr. Here she interviews Aidan Flax-Clark, associate editor of Lapham’s Quarterly, and gets him to discuss the similarities between his research and The Matrix.
“When I have an idea that will later, sadly, become a story or a poem, I have a sensation of receiving something. But I do not know if that “something” is given to me by something or someone or if it bursts out on its own.” An excerpt from Borges‘s conversations with the Argentinian poet and essayist Osvaldo Ferrari on writing, memory, and God is now available on The New York Review of Books blog.
The e-book subscription service Oyster has recently launched The Oyster Review, and we have reason to be excited: the first issue names our own Emily St. James Mandel‘s Last Night in Montreal “The Book of the Week” and features a look at the novel written by former Millions intern Rachel Hurn.
A while back, we noted that Tumblr had begun hiring editors and reporters to cover and curate the site’s social stories and original content. Recently, that (vaguely Soviet sounding) Department of Editorial launched the first iteration of its work: Storyboard. Details on participation can be read here.
The VQR‘s last issue, “The Soviet Ghost,” was one of the most heart-wrenching reading experiences I’ve had in a long time. Now it’s got a series of video interviews with Chernobyl workers to seriously depress (and also greatly inform) you all over again.
Who invented ska music? John Jeremiah Sullivan traces the history of the genre in his latest essay for The Oxford American. “The more the claims for Rosco Gordon’s supremacy as a ska progenitor seem not out of proportion, and the less crazy it feels to say that, in a sense, ska was born in Tennessee.” Pair with: Sullivan’s essay on Bunny Wailer, who makes a cameo in his ska essay.