Recommended listening: Waywords and Meansigns, a new project that’s set out to record Finnegans Wake in its entirety and set it to music. The complete work will be released on May 4th, but there are already a few samples available online.
“And journalists, the ones who do it for a living, will continue to have their faith in the profession shaken, as they panic and let their own standards slip in order not to be embarrassed by Reddit at 2:43 in the morning. But unlike high-frequency traders, Internet entrepreneurs, and online vigilantes, journalists have a stake in those standards, which are the only reason for having professionals do the job.” Fast news, Twitter, and journalism in the digital age.
“There’s more to life than writing and publishing fiction. There is another way entirely, amazed as I am to discover it at this late date,” Philip Roth said in an interview with Cynthia Haven for Stanford’s The Book Haven. Besides his retirement from writing, Roth also discussed why he doesn’t consider himself an American-Jewish writer and his book The Ghost Writer. For more Roth, read our essay on lessons you can learn from his work.
New this week: The Best of McSweeney’s; a new e-book edition of Highway Trade by John Domini; and new paperback editions of Between Heaven and Here by Susan Straight and Samuel Johnson is Indignant by Lydia Davis. (You could also read Susan Straight’s Millions essay on Toni Morrison’s Sula.)
What’s the deal with all of the novels about famous writers? Perhaps it has to do with the fact that, according to Heller McAlpin at The Literary Hub, “there’s a special frisson of pleasure in reading about writers’ early struggles when you know what the future holds for them—which in the case of most of these authors is posthumous literary acclaim beyond their wildest dreams.”
Move over Bella and Edward; Scarlett and Rhett were the original young adult power couple. At The New York Times, Claire Needell argues that Gone with the Wind is the epitome of the young adult novel. “The choice between two starkly different lovers (one gentlemanly, one roguish) appears, for the very young, to be a choice between two utterly distinct potential identities, two possible roads through life.”