Need a dose of new Irish poetry in your life? The Irish Times (naturally) has you covered. In the Saturday edition, John McAuliffe reviews two new and notable collections: The Boys of Bluehill by Eilean Ni Chuilleanain and The Days of Surprise by Paul Durcan.
Today in Irish Poetry
Incredibly Big and Extremely Close
“I have a big global voice, but a small local one, because I don’t want to be a target, and resent that in 2017, that’s still the only choice I get to have. I have a rule of leaving the party, or social space as soon as I see five white people drunk, because the only person who will remember that moment when everybody got hella racist will be me. I have a self-imposed curfew of when to ride my bike home, when to leave the park. I would rather risk my life riding late at night on the empty and mostly dark greenway, than riding on the street with Police officers looking for whoever matches a description.” A Brief History of Seven Killings author Marlon James writes on Facebook (?) about being big, close, and black in the U S of A. Pair with Kaulie Lewis on reading James’s The Book of Night Women during her senior year.
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Twilight Belt
What does it mean that the “Twilight Belt” so closely resembles the Bible Belt?
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Can We Keep “Making It New”?
Recommended reading: Pankaj Mishra and Benjamin Moser debate the continued possibility and relevance of Ezra Pound‘s “Make it New” for The New York Times Books Bookends.
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Poetical Territory
In the Winter 2013 issue of The Paris Review, Kevin Prufer published a poem, “How He Loved Them,” that tackled the aftermath of a car bomb explosion outside of a courthouse. On the magazine’s blog, Robyn Creswell interviews Prufer, who laments that “somehow, when we enter the territory of politics, we expect our poems to shill for votes, to argue strongly for particular beliefs.” (He also has a new book out.)
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“You’re allowed to laugh.”
A new installment of #LitBeat, in which Steve Almond gives a hilarious and exuberant reading in Moscow, Idaho.
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The Translator’s Tale
We don’t often stop to think about the art of literary translation, but translator Margaret Jull Costa examines the field in her Times Literary Supplement essay on The Cahiers Series. “What these fascinating Cahiers offer is an insight into what literary translators actually do, as well as fuel for the endless debate about what we mean when we talk about ‘faithful’ translation.”
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