In every country except France, the copyright for The Little Prince expired at the end of last year, which explains why Turkish publishers chose the first two weeks of January to publish a huge number of new translations of the book. At the LRB blog, Millions contributor Kaya Genc writes about the flood of new editions, remarking on the significance of a passage about a Turkish astronomer.
Kory Stamper, one of the lexicographers responsible for Merriam-Webster’s dictionary, describes the pleasures and poetry to be found in the Third Edition’s “color definitions.” Take vermillion for example, which is listed as “a variable color averaging a vivid reddish orange that is redder, darker, and slightly stronger than chrome orange, redder and darker than golden poppy, and redder and lighter than international orange.” (Related: how colors got their names; who names colors what.)
This week in book-related infographics: Waterstones has put together an illustrated formula for the ultimate bestseller, "a thriller tale of crime, bondage and wizardry."
“Throughout the Crash, I wrote free-hand, not caring about the style or if something I wrote in the afternoon contradicted something I’d established in the story that morning. The priority was simply to get the ideas surfacing and growing. Awful sentences, hideous dialogue, scenes that went nowhere – I let them remain and ploughed on.” Newly minted Nobel laureate Kazuo Ishiguro on writing The Remains of the Day in four weeks.
Belle and Sebastian’s Stevie Jackson, better known (at least to this writer) as the Sultan of Twee, sits down with Rick Moody as part of the Swinging Modern Sounds feature over at The Rumpus. Among other things, Jackson says that he thinks the John Lennon album Sometime in New York City is a “total masterpiece” and says that at one point in his life he could recite the book Trainspotting.