In every country except France, the copyright for The Little Prince expired at the end of last year, which explains why Turkish publishers chose the first two weeks of January to publish a huge number of new translations of the book. At the LRB blog, Millions contributor Kaya Genc writes about the flood of new editions, remarking on the significance of a passage about a Turkish astronomer.
The good people over at The Rumpus have added another fantastic essay to their Albums of Our Lives series. This week, it’s Jonathan Kime who gives The Cure’s crushing, overwhelmingly melancholic 1989 album Disintegration the track-by-track treatment. Earlier iterations included Sufjan Stevens and Jason Isbell.
Heaven forbid someone ever draws parallels between your writing and that of “Robert Rabelais the Younger.” For his work, published in the nineteenth century, has been described as “the most appallingly bad epic poem to have ever been written in English, comprised of 384 interminable pages of doggerel verse devoid of any literary merit, an opus d’odure that screams stinkburger.” (And that’s one of the more positive evaluations.)
Last week, I pointed readers to a recording of Benedict Cumberbatch on BBC Radio, reading Kafka’s Metamorphosis. Over at Slate, Rebecca Schuman explains why Cumberbatch is the story’s ideal reader, unpacking his “withering, perfectly enunciated deadpan.”