The One I Love
Dangerous Novels
"The idea that novels could be dangerous seems largely have fallen by the wayside, which does raise the question of how today’s newer sources of entertainment and information will look to the critics of the future. In 50 years, maybe we’ll be lamenting our failure to read enough Internet." Anna North writes about the distant time "When Novels Were Bad For You" for The New York Times.
●
●
Hemingway Double Shot
Got a couple thousand bucks lying around? You can place a bid on one of Ernest Hemingway’s love letters. Or, for a more modest price of "free," you can read Tim Weed's rumination entitled "Chasing Hemingway’s Ghost in Havana."
●
●
The Illustrated Road
Recommended Viewing: Paul Rogers illustrated every page of Jack Kerouac's On the Road.
●
●
The Verdict
Max's verdict in the opening round of The Morning News Tournament of Books has been posted. Which book did he pick, Gate at the Stairs or The Book of Night Women? Hop over to TMN to find out. And don't miss the match commentary, which has some great additional discussion of both books.
●
●
No Matter How Small
Over at The Atlantic, Lydia Millet argues for the power and legitimacy of The Lorax's moral message. Millet believes that the heavy-handedness of activist-minded fiction like The Lorax is powerful partly due to "its shamelessness. It pulls no punches; it wears its teacher heart on its sleeve."
●
●
A Man of Marked Eccentricities
If you're a professor or mentor, it's the time of year you should expect to be hit up for recommendation letters. You can find inspiration in Ralph Waldo Emerson's recommendation letter for Walt Whitman, when the latter was seeking government employment despite his controversial poetry. "He is known to me as a man of strong original genius, combining, with marked eccentricities, great powers & valuable traits of character: a self-relying large-hearted man, much beloved by his friends." Even if the government didn't like Whitman's work, we do; read our own Michael Bourne's essay on the power of Whitman's poetry.
●
●
Whitman on Poe
“Poe’s verses illustrate an intense faculty for technical and abstract beauty, with the rhyming art to excess, an incorrigible propensity toward nocturnal themes, a demoniac undertone behind every page—and, by final judgment, probably belong among the electric lights of imaginative literature, brilliant and dazzling, but with no heat.” - Walt Whitman on Edgar Allan Poe’s significance, circa 1880.
●
●