Veterans of writing workshops will know that a good story has a heavy dose of conflict. One can add it to a story in many ways, but one of the best and most reliable is to add a predator, either in the form of a threatening organisation or an animal or person with malicious intent. At the Ploughshares blog, Year in Reading alum Megan Mayhew Bergman reflects on predatory literature.
The Hunted
Questions from the Archives
Jenn Shapland had the pleasure of cataloguing the archives of Carson McCullers, Gertrude Stein, and Sir Arthur Conan Doyle. Their possessions left her with a few lingering questions. Pair with Shapland’s piece on cataloguing David Foster Wallace’s The Pale King.
Raising Hell
“When you read these books—I suggest perusing them, martini in hand, while your children (or better your friends’ children, for whom you are babysitting) run around shrieking—you’ll see every parenting stance you’ve ever adopted, every parent-story trope you’ve ever told or heard, expressed more perfectly than you ever could have.” Dan Kois on Shirley Jackson’s two memoirs on parenting.
The Pathways of an Essay
Recommended Reading: E.V. de Cleyre writes for Ploughshares about the essay form and its familiar shapes.
Slave Driver
Recommended Reading: Katherine Sunderland on Michael Bundock’s The Fortunes of Francis Barber.
Wealth Retention for the Good of the Wizarding World
A while back, I pointed readers to Ayn Rand’s version of Harry Potter and the Half-Blood Prince, helpfully published by The Toast’s Mallory Ortberg. It satisfied those of you who never understood why Harry didn’t slough off his legions of parasitic friends. Now, The Toast brings us the conclusion to the series, in which Harry’s labors bring him the rewards he deserves. Sample quote: “I have earned the Elder Wand through my own achievements.”