We’ve published a fair number of articles on the issue of finance and employment in a writer’s life. In general, writers assume that the ideal source of income, at least as far as it concerns their own careers, is one that leaves them free of worries and blessed with ample time. In the latest Bookends, Mohsin Hamid and Rivka Galchen tackle a more existential question — do money woes inspire writers to greater heights of creativity?
On The Nervous Breakdown this week, J.E. Fishman considers the book review practices of The New York Times: “My view is very much eastern, very much old school, where a book review from the Times was the only sure sign that an author had arrived. But maybe it’s time to rethink that, and this rethinking has been long overdue.”
Some say 2012 was “the year of the e-single,” and Laura Hazard Owen is here to explain why. While on the topic, you might want to check out Epic Fail, which was our debut into the world of e-singles. Author Mark O’Connell recently sat down with Hazlitt to discuss the book – as well as Guy Fieri.
Robert Perišic’s Our Man in Iraq made it onto the first installment of our Great 2013 Book Preview. A few weeks ago, Perišic sat down for an interview with John Feffer about ongoing changes in the author’s native Croatia, which recently acceded to the EU as its 28th member state.
Sean Manning (of Talking Covers) hosted a discussion with Jonathan Lethem last week at LA’s Last Bookstore. You can check out video and audio of the event over here, and the post also features an exclusive glimpse at the cover art for Lethem’s forthcoming novel Dissident Gardens. (Bonus: a look at Dissident Gardens in our Great 2013 Book Preview.)
Cat Marnell and Alana Massey both have new books out, and they are, in their own ways, variants on the genre of “confessional” writing. In an essay for Slate, Katy Waldman unpacks their essential appeal and their arguments, describing how each goes about the task of reinventing the concept of the memoir. You could also read our interview with Massey.