We’ve published a fair number of articles on the issue of finance and employment in a writer’s life. In general, writers assume that the ideal source of income, at least as far as it concerns their own careers, is one that leaves them free of worries and blessed with ample time. In the latest Bookends, Mohsin Hamid and Rivka Galchen tackle a more existential question — do money woes inspire writers to greater heights of creativity?
While researching In Cold Blood, Truman Capote took pains to get the story right, so much so that the final product was, he claimed, “immacutely factual.” The tale of his labors is so well-known that Bennett Miller used it as the basis of his movie Capote. So when allegations surface that the author made deliberate errors, the story gets a little bit… awkward.
“Half utilitarian data visualization project, half absurdist poetic gesture:” a Brooklyn artist is working to turn all of Wikipedia into a print encyclopedia set numbering some 7,600 volumes. But the best part of the project by far is the titles for those volumes, which include such gems as “Hulk (Aqua Teen Hunger Force) — Humanitarianism in Africa.”
For Electric Literature Jennifer Baker interviews Yahdon Israel who hosts the weekly literary interview series LIT on Youtube. On his inspiration for starting the show; “I watch a great deal of interviews on the Breakfast Club, James Lipton’s Inside the Actors Studio, Sway in the Morning, Hot 97, Between Two Ferns. And the people who are seldom interviewed are writers. In many ways being Black has taught me to notice what isn’t there. That lens lends itself to what I notice about pop culture: We’re missing from the conversation. Better put: We’re not included. And by “we” I mean writers.” Watch the show and subscribe, some interviews include Kaitlyn Greenidge, Claire Messaud, Victor LaValle and Jesmyn Ward.
“I don’t know how to give more of myself than a poem. Every poem I write is more accurate than anything I can ever tweet about it: my interior life, and its struggle and desire to converse with the exterior world.” Tarfia Faizullah writes for Poetry‘s blog about why she doesn’t want to explain her poems, the power of breath, and the frustrating implications of the question, “did it happen to you?”