Jane Austen is a rare figure. Acclaimed as one of the most brilliant authors in modern history, she has a popularity that few of her peers can match, as evidenced by her posthumous sales and huge numbers of dedicated fans. How did her work hit the sweet spot of broad appeal and scholarly fame? In the WSJ, Alexander McCall Smith provides a theory. (h/t The Paris Review Daily)
Out this week: Book of Numbers by Joshua Cohen; The Jezebel Remedy by Martin Clark; Second Life by S.J. Watson; The Wolf Border by Sarah Hall; Language Arts by Stephanie Kallos; The Household Spirit by Tod Wodicka; Valley Fever by Katherine Taylor; and Rise by Karen Campbell. For more on these and other new titles, go read our Great 2015 Book Preview.
Our own Bill Morris (the man Michiko Kakutani once compared favorably to John Updike) is hitting the road in support of his novel Motor City Burning, and you can catch him now as he swings through the South before heading to the Midwest. Elsewhere, see what Detroit's hometown paper learned from Bill about a novel that mines the city's fractious history.
"I bet you can relate. Always another crisis, always more costs to keep down. It’s hard to find time for yourself, you know? But the president of the United States should be able to read a book when he wants to. Or at least look at one. Maybe I could just look at this book for a while."
“Well, is ‘addiction’ what a literary writer should want in readers? And if a writer accepts such addiction, or even rejoices in it, as Murakami seems to, doesn’t it put pressure on him, as pusher, to offer more of the same?” Tim Parks writes for the NYRB about writers who keep producing more of the same to please hungry readers.