At some point, Machiavelli became Machiavellian, which is to say that his personal views evolved into the self-centered credo we recognize. At Salon, an excerpt of a new biography of the writer, which digs up the formative events of his early life.
"Magic I think for me is kind of personal. Like, as soon as magic is in play, then I am given permission to imagine a different world, one in which magic things might happen—one where maybe I get some magic to wield if I’m lucky. Where cool stuff might happen at any given moment, cool stuff you wouldn’t even guess at. And for as long as the story holds, I’m kind of living in that world." John Darnielle talks with Colin Winette about E.R. Eddison's The Worm Ouroboros, reading high fantasy and writing Wolf in White Van.
The best way to celebrate May Day? Read Tennyson's "The May Queen," become "Romance Incarnate."
Freudians know that Eros and Thanatos are opposites in the human psyche. The former, the love instinct, pushes us to survive, while the latter, the death instinct, pushes us to destruction. In an essay for Bookslut, Jelena Markovic explores the importance of Thanatos in daily life, using as an example a man she knew with an “instinct for nonexistence.”
Once Again, this December we will be hosting our Year in Reading series, and this year's installment is shaping up to be our most fascinating and star-studded yet. While you wait, enjoy last year's series all over again, and please consider learning about the five easy (even free!) ways you can support The Millions and our year-end extravaganza this holiday season.
Jonathan Lethem thinks his work is taken too seriously. "Well, I was just watching Richard Pryor, and he says, 'When you’re dating a white woman, and people don’t like it, you can’t really pretend. You can’t go, "Oh, she’s not with me."' 'You write the big, ambitious books, right?' Well, I guess they are," he said in an interview with Salon. He also discusses being equated with Jonathan Franzen and his new novel, Dissident Gardens.
The newest issue of Granta features some seriously captivating work, like this poem by Juliana Spahr and this story by Lorna Gibb, among many others. This “Possession” issue pairs well with an essay by our own Lydia Kiesling on possessing one’s own words and the narrative potential of leaked emails.