The contents of the Warburg Library suggest it was conceived in a fairy tale. As Adam Gopnik describes it, the shelves of the quirky London establishment include things like medieval astrology tomes and a section on “The Evil Eye.” Yet despite its notoriety, the University of London filed a lawsuit against it last year, as part of a move to incorporate the Warburg into its greater library. In the latest New Yorker, an essay on the controversial landmark.
Over at McSweeney’s, Sarah Solomon has undertaken the Sisyphean task of bringing existentialism into the twenty-first century. In a series of brief vignettes, Solomon gives the oft-maligned Millennial generation the existentialist makeover they never asked for. Continue your study of the absolute indifference of the universe with this essay by Zach Pontz on The Meursault Investigation, a new novel by Algerian journalist Kamel Daoud that imagines Albert Camus’s famous The Stranger from the perspective of the unnamed Arab antagonists.
"When watching [Abbas] Kiarostami films, one also has a great sense of another kind of freedom not found in Hollywood movies, nor in most European art films: freedom from the creeping realization that a film we are watching was made by a cynical shit or a self-deluded megalomaniac." Here's something you don't see every day -- an essay that begins with an Independence Day showing of The Purge: Election Year, and somehow ends up at a poetic examination of Kiarostami's artistic legacy.
When did Twitter turn into a place of public shame, outrage, and apology? Alexander Chee examines the changing culture in an essay for Dame Magazine. "Oh, Internet, place of the ultimate writerly paradox, where things you write quickly for little or no money last forever." Our own Mark O'Connell explored something similar in his New Yorker essay on the public humiliation of regrettable tweets.
Cutting out large chunks of a book is pretty common, but cutting out 200 pages is a little unusual. While working on his latest novel, Joshua Ferris decided to abandon the elements drawn from crime fiction, which meant he had to toss out a huge portion of his draft. “Now that was a fun day,” he says.
Out this week: The Color Master, a new short story collection by Aimee Bender; an English-language translation of The Infatuations by Javier Marias; and Brief Encounters with the Enemy, the new Saïd Sayrafiezadeh book that Scott Cheshire reviewed for us on Monday. Read more about these and other releases in our Great 2013 Second-Half Book Preview.