I’ve written before about Matthew Jockers‘s claim, as reported and presented by the Paris Review, that there are only about 6 plots in fiction. Now Dan Piepenbring returns to the Review to respond to critics who and attempt to answer the questions “is it really possible to assign every word a reliable emotional valence? And even if the answer is yes, can we really claim that all the plots in the history of literature take so few basic forms?”
Six Plots Part II
No Exit
As Der Spiegel bluntly puts it, when Jean-Paul Sartre met up with the head of the RAF, a German terrorist group, he tried to use his powers “to persuade them to stop murdering people.”
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The Feel of Municipal Politics
Recommended Reading: Parul Sehgal on Jonathan Franzen’s first novel. (You could also check out Eric Lundgren's counterpoint.)
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Bookstore Unplugged
Apropos of our recent essay by a student hiding out in a bookstore with spotty Wi-Fi to avoid reading online, The Rumpus interviewed a bookstore and coffeeshop owner who has taken the bold step of making his establishment a WiFi-free zone. "I’ve observed and been told many times about how the availability of Wi-Fi creates a space where people are wrapped up in their own, solitary world and not interacting with each other."
City On A Hill
"I was born in the lair of Romulus and Remus, Washington D.C." And The Los Angeles Review of Book's interview with the late Gore Vidal just gets better from there.
“Pixel Dust”
"In the end, no special effects, dazzling displays, augmented realities, or multimodal cross-platform designs substitute for content. Scholarship, good scholarship, the work of a lifetime commitment to working in a field — mapping its references, arguments, scholars, sources, and terrain of discourse — has no substitute." Johanna Drucker writes about both the importance and the inherent difficulty of scholarly publishing for the Los Angeles Review of Books.
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Nein, nein!
Bad news, guys: the longest word in the German language is officially no longer a word.