I’ve written before about Matthew Jockers‘s claim, as reported and presented by the Paris Review, that there are only about 6 plots in fiction. Now Dan Piepenbring returns to the Review to respond to critics who and attempt to answer the questions “is it really possible to assign every word a reliable emotional valence? And even if the answer is yes, can we really claim that all the plots in the history of literature take so few basic forms?”
Six Plots Part II
Rock Your Nox Off
Anne Carson‘s Kindle-defying Nox earns a rave from New York Magazine.
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Scared of the Dead
“Scared of the living, scared of the dead, and even more scared of the dead who are immortal.” Chinese censors have cracked down on social media sites following the death and hushed burial-at-sea of writer and Nobel Peace Prize winner Liu Xiaobo last week, reports The New York Times.
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Hold Off on Your Coronavirus Novel, Please
Has quarantine cabin fever driven you to write a COVID-19-inspired novel? Sloane Crosley kindly asks you to put it aside—just for now.
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Choose Your Own Apocalypse: Skynet or Stingrays
With the help of Our Final Hour author Martin Rees, Cambridge will soon open a Centre for the Study of Existential Risk. The Centre will investigate the threats posed by “artificial intelligence, climate change, nuclear war and rogue biotechnology.” To my ears, this sounds an awful lot like Oxford’s Future of Humanity Institute, which was memorably depicted in John Jeremiah Sullivan’s “Violence of the Lambs.”
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Paralyzing Shame
Recommended Reading: Elissa Altman on writing and giving permission to succeed.
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