How did Herman Melville’s friendship with Nathaniel Hawthorne affect the writing of Moby-Dick? It’s a hard question to answer with any certainty, but Patrick James Dunagan gives it a shot, drawing evidence from Erik Hage’s book on the authors’ relationship. You could also read Hester Blum’s argument that Moby-Dick is the greatest American novel.
“Goodreads lets me capture and disperse impressions that occur as I read. I tend to track the sounds I make when reading, the chortles, gasps, growls, and LOLs. I try to figure out why I might not have liked aspects of a book, looking under the hood in a workshoppy way…” Lee Klein offers a defense of Goodreads and good criticism over at Full Stop.
“To translate the power of Tish and Fonny’s love to the screen in Baldwin’s image is a dream I’ve long held dear. Working alongside the Baldwin Estate, I’m excited to finally make that dream come true.” Oscar-winning Moonlight director Barry Jenkins is adapting James Baldwin‘s 1974 novel If Beale Street Could Talk for the screen, says The Hollywood Reporter. (He’s also bringing Colson Whitehead‘s The Underground Railroad to visual life as well.)
In a digital age, what’s the point of handwriting? It may seem like there isn’t much point to honing one’s penmanship these days. In Hazlitt, Navneet Alang suggests that handwriting, far from being a lost art, is in fact a “useful alchemy” that retains particular uses. You could also read our own Kevin Hartnett on writing by hand.
The LA Times‘ Festival of Books is happening this weekend, and attendees have not one, not two, but three chances to see Millions staffers Patrick Brown and Edan Lepucki. On Saturday, Patrick will be hanging out on the Nuts and Bolts publishing panel, and on Sunday, he’ll be moderating one entitled Art of Immersion. Also on Sunday, Edan will moderate the Visionary Eyes fiction panel with Aimee Bender, Mark Leyner, Ben Ehrenreich, and Elizabeth Crane.