From The Atlantic comes the case for canonizing G.K. Chesterton, the “Catholic convert and an oracular man of letters, a pneumatic cultural presence, an aphorist with the production rate of a pulp novelist.”
What's better than being a writer? A writer who gets paid. Manjula Martin and Jane Friedman have launched the new digital magazine Scratch, which gives writers information on how to advocate for their work. The preview issue is free and contains essays on what freelancers can learn from street vendors, Cord Jefferson on outgrowing his materialism, and an interview with Jonathan Franzen. You can subscribe here.
"Jeopardy!" champion Ken Jennings charts “the wide, weird world of geography” in his latest book Maphead. NPR investigates his process in a “Fresh Air” interview. Scribner Books provides a small sample as well. While discussing the particulars of America’s “Road Geeks,” Jennings makes it clear to this listener that he’d probably be interested in Cynthia Enloe and Joni Seager’s The Real State of America Atlas, which was reviewed by our own Bill Morris last July.
If you thought Michel Houellebecq was controversial, let me direct your attention to Kenneth Goldsmith. In this piece, the poet that everyone loves to hate asserts his desire “to take Walter Benjamin off the pedestal and on to the coffee table.” His newest, Capital, is out now.
A Hawaiian woman named Janice Keihanaikukauakahihuliheekahaunaele has won her battle against the state’s government computer systems and will now be able to fit her name – all 36 letters and 19 syllables of it – onto her driver’s license and ID card. Previously she’d been using a truncated version on her official documentation.
Say goodbye to Sadie Stein! Stein, who is moving on after two years as The Paris Review Daily's correspondent, had this to say: "It is a strange thing to monetize your emotions. Anyone who writes or creates knows this. And the work one does on the Internet feels insubstantial, even by the flimsy standards of intellectual property. Any body of digital work is a funny mixture of ephemeral and immortal, and it’s hard to know how to feel about such an archive."