In the early days of sportswriting, journalists weren’t necessarily focused on soccer, football or even baseball. In the forties, boxing and horse racing were still important beats, and they gave W.C. Heinz the opportunity to build his legacy. In the Times, a review of The Top of His Game, a new collection of the reporter’s sportswriting. You could also read Sebastian Stockman on the problem with sportswriting as a genre.
The publishing industry is roughly 86% white. Yet comparative titles, or “book comps,” are whiter still, the L.A. Review of Books has found, arguing that this makes it exceptionally difficult for writers of color to place their books with imprints at Big Five publishers. “Comps,” in other words, “perpetuate the status quo.” Here’s how.
Last October marked the release of a new volume in The Cambridge Edition of the Letters of Ernest Hemingway. Spanning three years in the writer’s early twenties, the letters in the volume track events including his first bullfight, the birth of his son Jack and the publication of his first collection of stories and poems. In The New York Review of Books, Edward Mendelson reads through the new volume. This might also be a good time to read our own Michael Bourne on A Farewell to Arms.
“Today’s vampires have traded their capes for fashionable leather jackets, their claws for manicures.” Becca Rothfeld writes for the Los Angeles Review of Books about the “the distressingly human lives of vampires today.” Pair with our own Emily Colette Wilkinson‘s “Ethical Vampires” and “Ethical Vampires, part II.”