Poets, dog-lovers, urban-dwellers, and really, everyone — check out poet and dog-trainer Susie DeFord‘s heartfelt and keen-eyed new book of poems, Dogs of Brooklyn. Says Vijay Seshadri, DeFord’s collection is full of “wonderful poetic investigations into the life of Brooklyn’s dogs, into their habits, their idiosyncrasies, and their secret longings.”
You may have heard that X-Files star David Duchovny published a novel last week. The
book, which developed out of an idea Duchovny had in college, centers on a teenage cow named Elsie who befriends a Yiddish-speaking pig. At Salon, Anna Silman interviews the actor/author, who talks about his book’s allegorical nature and his rumored beef with Vancouver.
The Man Booker International prize was just awarded to Hungarian author László Krasznahorkai, author of Satantango (later adapted for film by Béla Tarr) and Seiobo There Below. When asked to recommend a starting point for readers who have yet to encounter his work, the author defers: “I couldn’t recommend anything … instead, I’d advise them to go out, sit down somewhere, perhaps by the side of a brook, with nothing to do, nothing to think about, just remaining in silence like stones. They will eventually meet someone who has already read my books.” Well, if a stream isn’t handy, we have a few ideas: our own interview with Krasznahorkai, Stephanie Newman’s review of Seiobo There Below, and Music and Literature’s issue no. 2, featuring literature on and by Krasznahorkai and Béla Tarr.
“It’s somewhat surprising that typos and grammatical errors hold this much power given the speed and frequency of written communication that characterizes the digital age. Despite our ‘sent from my iPhone’ disclaimers, it appears we should still be diligent about avoiding written mistakes. Especially if were writing to a conscientious introvert whose not very agreeable. Their the wrst.” On proving something that we all suspected to be true: less agreeable people care the most about grammar.
The true story of the Whaleship Essex – which was deftly recounted in Nathaniel Philbrick’s 2000 book In the Heart of the Sea – will soon be adapted into a 90-minute documentary for the BBC. As avid whale watchers already know, the plight of the Essex is what ultimately inspired Herman Melville to write Moby-Dick. You can get an overview of the disaster at Melville House’s blog, Moby Lives. (How appropriate!)
When street art and literature combine: on “The Moving, Playful Poetry of the World’s Textual Graffiti Artists,” from Slate.
John Sunyer checks in with Franco Moretti at the Stanford Literary Lab. Moretti, a 63-year-old professor of English, is the author of Distant Reading – a book in which he lays out his long-held belief that “literary study doesn’t require scholars to actually read the books.” Rather, he believes in a “new approach to literature [that] depends on computers to crunch ‘big data,’ or stores of massive amounts of information, to produce new insights.”