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In his novels and plays, Sebastian Barry often focuses on segment of Irish society that tends to get ignored in literature -- the Irishmen who fought for the British Empire in the first and second World Wars. At Full-Stop, John Cussen reads The Temporary Gentleman, which portrays a British officer, Jack McNulty, who sets out to write his memoirs. (Related: Matt Kavanagh wrote a piece for The Millions on Irish financial fiction after the crash of 2008.)

Daniel Woodrell was so busy dodging bill collectors that he almost missed a telegram from an agent interested in his first novel, Under the Bright Lights. He discusses his writing career, the film adaptation of Winter's Bone, and how he's used the same coffee mug since 1974 for The Daily Beast's "How I Write" series.

So does literature really have the power to bring liberals and conservatives together? Probably not. Either way, this is still a fascinating study: "The 'most startling result was this: it was conservative — not liberal — readers who are most active in producing this space of cultural compromise.' Basically, within this sample size, conservative readers tended to exude more generous praise for 'bridge books' and did so with a vernacular considered to be 'less heated or emotional.' Grammatically, they also expressed 'more complex thoughts.'"