“An appreciation of readers as diverse individuals with different tastes should be a basic tenet of criticism. Instead, it’s common for critics to imagine that their aesthetic preferences are the reflections of “readers” or a special class of readers—“serious readers,” “imaginative readers,” “brave readers,” or some other ill-defined category—whose views truly matter.” Lincoln Michel explains why “there’s no such thing as a fake reader” in an essay for Electric Literature.
The new David Mitchell novel, The Bone Clocks, ends in rural Ireland, which explains why Kathryn Schulz chose to interview Mitchell on a walk through the Irish countryside. At Vulture, she talks with Mitchell about supercontinents, writing in childhood and the global scope of his work. You could also read the story Mitchell recently wrote on Twitter.
What do you get if you combine Man Ray with some of the most celebrated artistic figures of 1920’s Paris such as Ernest Hemingway, Lee Miller, and Marcel Duchamp? The answer is: some predictably fantastic portraits. For more on Man Ray, here’s a moving essay on how his Hollywood Album redefined Liska Jacobs’ idea of a “life’s work.”
“If Do-It-Yourself culture continues to gain appeal as fast as climate change lays on the chaos, we will need to look to the hinterlands for both practical guidance and hints about the fashions of the future. I recently watched Werner Herzog’s 2010 documentary (directed in collaboration with Dmitry Vasyukov) Happy People, which follows a few Siberian fur trappers over the course of a year, and let me tell you: when Celsius and Fahrenheit converge, Gennady of Bakhtia does not waste his time tossing boiling water into the air just to see what happens.” On surviving the next polar vortex.
“To be able to sing under that kind of oppression I think, in a lot of ways, is the very essence of survival, of a people, of the ability to have to the hope to make something beautiful amongst so much wretchedness.” Tyehimba Jess, author of the fantastic new collection of poetry Olio, is interviewed over at The Literary Hub.