When your father shows you The Wrath of Khan at a young age, you develop an appreciation for the late Leonard Nimoy, whose death scene as Spock in that film is among his most famous performances. For Jen Girdish, that appreciation led to this essay, which reflects on Nimoy, her father’s own death and the onetime ubiquity of VHS tapes.
“We get the book adaptations we deserve… We need to re-tell these stories over and over because each generation sees them in a different way, needs different things from them. We tell these stories again and again, their survival over time proof of their intrinsic value. People are writing new Zeitgeist-y things all the time of course, but we return to classics because the stories have endured for a reason.” Sky Friedlander on the “Literary Period Piece.”
“Save everything, she said. Everything. When your archive gets bought, they pay by the cubic foot.” Sarah Manguso in The New York Times about drafts in an era of digital writing. And while we’re on the subject , here’s what Ben Fountain, Emily St. John Mandel, Emma Straub and a passel of other writers have to say about writing that elusive first draft.
Recommended Reading, if you have the time: the full archives of the famed Partisan Review (published from 1934 to 2003) are now available online, searchable, and completely free. Essays, poetry, fiction, and reviews in the vault include work by Hannah Arendt, James Baldwin, Samuel Beckett, Allen Ginsberg, Franz Kafka, Doris Lessing, George Orwell, Marge Piercy, Jean-Paul Sartre, Roger Shattuck, Susan Sontag, William Styron, Lionel Trilling, and Robert Penn Warren. A worthy epitaph: “The Partisan Review is finished, but its vision has triumphed.”
“[H]is authentic education as a reader began not while he was a history major at N.Y.U. or working at a literary agency in Manhattan but at the Green Haven Correctional Facility, in Stormville, New York. There, he offered, he had read a thousand and forty-six books.” Alex Halberstadt writes about “A Prisoner’s Reading List” for The New Yorker. It’s available online, and soon a lot more New Yorker articles will be too.