For whatever reason, the Zippo lighter has earned a place as an icon of Americana, a symbol of everything simple and reliable in the country. At the Ploughshares blog, Nancy McCabein pays a visit to the Zippo Museum, punctuating her account with quotes from works of literature that feature the lighter.
Daniel Orozco‘s Orientation collects many of his short stories in one attractive volume. Released last May, the collection features the classic story “Orientation” (Scribd) as well as newer ones such as “Shakers” (Scribd). It garnered enough hype to land him on the long list for this year’s Frank O’Connor Award.
Now this is the kind of fellowship an author can really get behind: The Standard, East Village, has teamed up with The Paris Review to offer a free hotel room to a writer in need of “three weeks of solitude in downtown New York City.” The deadline for applications is November 1. And in case you’re wondering, the answer is yes. Of course the fellowship will conclude with a swank cocktail party.
What inspired Wally Lamb’s latest novel, We Are Water? Part of it came from his experience teaching writing at a women’s prison in Connecticut for the past 14 years. He spoke to The Missouri Review about what it’s like to teach “the incarcerated wounded” and how they have influenced his work. “With my fiction, I’ve never been afraid to go to the dark places, but I think the women have made me more daring.”
Geoff Dyer endorses Ben Lerner’s Leaving the Atocha Station , John Jeremiah Sullivan’s Pulphead –our own Bill Morris loves it too!–and a generalized aversion toward seafood in his interview with Morten Høi Jensen for Book Forum. While they ostensibly met to talk about Zona–reviewed on The Millions here–it’s perhaps unsurprising that they managed to digress so liberally: “we chatted about his review of Richard Bradford’s Martin Amis: the Biography, and by the end he was giving me advice about which David Markson book I should read first. Our interview, in other words, assumed the shape of a Geoff Dyer book.”