“This notion of investigation offers an alternative to confession. Its goal isn’t sympathy or forgiveness. Life is not personal. Life is evidence. It’s fodder for argument. To put the “I” to work this way invites a different intimacy—not voyeuristic communion but collaborative inquiry, author and reader facing the same questions from inside their inevitably messy lives.” Year in Reading alum Leslie Jamison writes for The Atlantic about alternatives to the confessional mode in literature.
Stephanie Danler’s best-selling, semi-autobiographical novel, Sweetbitter, has been given the green light by Starz network for a six-episode series. "As she learns the ropes of restaurant work, [Tess] falls for bad-boy bartender Jake, and makes her first forays into wine, drugs, lust, betrayal and adulthood," writes the Los Angeles Times. Pair with Jason Arthur's essay on novels about work.
If you’ve finished winding your way through Elise Liu’s recommended New Yorker articles – which, as of this week, are free to be read online – you can start working your way through Longform’s roundup of their 25 favorite unlocked pieces. (Or you can go even bigger, thanks to The Awl.)
Oh, shit: looks like many of our curse words are quickly going extinct. (There is good news, however, contained in this delightful sentence: “Still, according to Sheidlower, f-bomb enthusiasts need not fret too much.”)
This week in book-related graphics: An image-heavy test that combines poetry with traffic signs from Ploughshares, and an infographic breaking down the most fearsome (and most useless) characters in The Iliad.