Want a write a great short story? Here’s a chance to learn from MacArthur Fellow, New Yorker “20 Under 40” writer, and Year in Reading alum Yiyun Li. Her new 45-minute Skillshare class, Writing Character-Driven Short Stories, is now available and included with Skillshare membership ($10 per month). Better yet: the first 50 readers of The Millions to click here can sign up for free.
When I was a kid, I read the whole Little House series by Laura Ingalls Wilder and never thought about it being "for girls." At Slate, Emily Bazelon writes about why it's wrong that "the conventional educational wisdom holds that boys don't like to read about girls."The New York Public Library's 25 Books to Remember from 2005 (via Conversational Reading)It's Perfectly Normal, a sex education book by Robie H. Harris tops the American Library Association's list of 10 Most Challenged Books of 2005. Also on the list: The Catcher in the Rye and the Captain Underpants series.The Ten Worst Autobiographies as listed by The Independent. Not sure where else you'd find Hillary Clinton, James Frey and Hitler on the same list. (via Books Inq.)A New Orleans resident auctions off a bunch of "first-edition books, handwritten manuscripts and letters by Beat Generation writers" to raise money for Jon and Gypsy Lou Webb who published some of Charles Bukowski's earlest works and were left homeless by Hurricane Katrina.
Stephen Colbert is keeping his promise to Maurice Sendak. The comedian will publish his children's book I Am a Pole (And So Can You!) this spring. "I hope the minutes you and your loved ones spend reading it are as fulfilling as the minutes I spent writing it," Colbert told The Hollywood Reporter. (See also: Colbert's equally literary meeting with Ann Patchett)
The Guardian published a couple of fun pieces earlier this week. The first is a hilarious excerpt from Mallory Ortberg’s Texts from Jane Eyre: And Other Conversations with Your Favorite Literary Characters. The second is a collection of the top ten most memorable meals in all of literature.
I've written before about Matthew Jockers's claim, as reported and presented by the Paris Review, that there are only about 6 plots in fiction. Now Dan Piepenbring returns to the Review to respond to critics who and attempt to answer the questions "is it really possible to assign every word a reliable emotional valence? And even if the answer is yes, can we really claim that all the plots in the history of literature take so few basic forms?"