“The company, in its most cutting-edge incarnation, has become the arena in which narratives and fictions, metaphors and metonymies and symbol networks at their most dynamic and incisive are being generated, worked through and transformed… It is funky architecture firms, digital media companies and brand consultancies that have assumed the mantle of the cultural avant garde. It is they who, now, seem to be performing writers’ essential task of working through the fragmentations of old orders of experience and representation, and coming up with radical new forms to chart and manage new, emergent ones. If there is an individual alive in 2015 with the genius and vision of James Joyce, they’re probably working for Google.” From The Guardian, a look at “fiction in the age of data saturation,” with a healthy dose of anthropology thrown in just for fun.
When your father shows you The Wrath of Khan at a young age, you develop an appreciation for the late Leonard Nimoy, whose death scene as Spock in that film is among his most famous performances. For Jen Girdish, that appreciation led to this essay, which reflects on Nimoy, her father’s own death and the onetime ubiquity of VHS tapes.
Robert Krulwich takes on two very different types of “nothing.” As he illustrates through the invocation of Willem de Kooning, Robert Rauschenberg, and outer space, “nothing” is a lot more complicated than you might initially believe.
Ukraine is investing approximately $61 million in order to “bolster [the nation’s] reading, publishing and bookselling beginning in 2014 and lasting through 2018.” One concern held by Ukranian literati is the rapidly expanding influx of Russian writing, which some claim have been “push[ing] books from Ukrainian publishers and authors off the shelves.” Meanwhile, Russia recently announced a $100 million stimulus package for its own book industry.
Hobart is celebrating the month of June by offering a 20% discount on all of their Short Flight / Long Drive Books. You can pick up any two for $15. In particular I recommend Adam Novy’s Avian Gospels, a vividly imagined story of a young boy who can control flocks of birds. (I’ve recommended it before.) You can also get a taste for the book by watching its trailer over here.
Eric Benson interviewed Bruce Jackson about “the strange and brutal world of Southern prison farms.” Jackson, who recently published a collection entitled Inside the Wire, snapped prison photographs in Texas and Arkansas from 1964 to 1979. The images depict both the mundane and the surreal, occasionally appearing as though they were “taken from a fever dream.”