Recommended reading: The Guardian reports on Varlam Shalamov, a Russian author who spent 17 years in the harsh camps of the Kolyma gulag, wrote more than 140 short stories, and still claimed ““I hate literature. I do not write memoirs; nor do I write short stories. That is, I try to write not a short story but something that would not be literature.”
What’s behind the rise of the new-adult genre of fiction? You could blame the rise of Millennials, but that would be, as Emily Landau argues in a piece for the Canadian magazine The Walrus, too cheap and reductive to really answer the question. Instead, she says that we should look at NA as fundamentally similar to YA, with the main difference being that NA books portrays characters on the cusp of independence. (Related: we polled a group of high school students to find out their favorite YA books of 2013.)
James Joyce inspires a lot of English papers but not songs. Yet musician Casey Black based his song “Happiness” off of A Portrait of the Artist as a Young Man. With lyrics like, “So I walk the Dublin streets like they were passageways through my soul,” we think Joyce would approve.
“[B]eing twelve is its own psychosexual dystopian satire, and I was not in on the joke.” Abbey Fenbert writes for Catapult about Aldous Huxley‘s Brave New World, reading-while-tween, and being a seventh-grade book censor. See also: our own brave editor-in-chief, Lydia Kiesling, on reading Huxley a week after last November’s election.