“Chris Lloyd adores a minuet / the Ballets Russes and crepes suzettes / but Foucault loves to rock n’ roll / a hot dog makes him lose control… what a crazy pair!”James Yeh and a plate of Korean barbecue co-star in: My Dinner with Shteyngart.Deborah Eisenberg reads Wells Tower.Open Letters Monthly looks at Landscape in Concrete, a lost classic from the World War II-era featuring a not-so-ÜbermenschWhat planet are translators from? Paul Verhaeghen spills the beans, in remarks from the PEN festival, (via Three percent)Novelist David Francis, guest-posting at TEV, pits the writer’s interests against those of the publishing industry.W.W. Norton “friends” the Dalkey Archive.Richard Ford tells Nam Le, “Giving a colleague a bad review is like . . . seeing a hitchhiker and rather than picking the hitchhiker up, you run over him.”The Second Pass reappraises Denis Johnson’s 1983 Angels (whose characters reappear in Tree of Smoke).Finally, a piece on Reif Larsen’s T.S. Spivet that doesn’t mention the size of his advance.After only a year, Wyatt Mason’s fine Sentences blog reaches a full stop.An amazing and cute fashion blog from a 13-year-old.The indie bookstore tour writ large: novelist Mark Fitten is visiting 100 indie bookstores and writing about it. (via Maud)Wikipedia find of the week: The Jimmy Carter rabbit incident
“Our literary culture has distended and warped by focusing so much power in a singular place, by crowding the gatekeepers into a small ditch of commerce. A review in the Times trumps everything else. You can’t tell me that this doesn’t affect what is, finally, bound into books, marketed, and sold. Which designates what can be said and how one says it. Why do we cede American letters to a handful of corporations that exist on a single concrete patch?” This piece by Matthew Neill Null at The Literary Hub raises a lot of extremely important questions about what gets published and why.
The fiftieth anniversary of Who’s Afraid of Virginia Woolf? is coming up on October 13th, so to get ready, pour yourself a drink (or five), don your best academic tweeds, and read these interviews with playwright Edward Albee and audience members who attended the play’s original 1962 run.
The October 15 Boston Book Festival boasts a lot of wonders, but one event you shouldn’t miss is “The Wire” writer and producer George Pelecanos alongside series cast members. They’ll discuss “issues of race, class, and institutional failure as portrayed by the most critically-acclaimed series in television history.” Last month, a similar event was held at Housing Works Bookstore Cafe to launch the issue of Criticism dedicated to “Why The Wire (Still) Matters“.