Recommended reading: “I am seventeen years old, and getting drunk is still a novelty. It has only recently occurred to me that my mother won’t think to check my breath if I’m coming straight home from work.” An amazing reminisce of summer employment from The Rumpus. Pair with: The New Yorker on why summer makes us lazy, and an ice-cold beer.
Tom McCormack is midway through a three-part series on internet artwork, but not the kind involving Photoshop and GIFs. After exploring the history and usage of emoticons in part one of his series, McCormack traces the roots of ASCII artwork back to Guillaume Apollinaire’s 1918 book Calligrammes. Stay tuned for the conclusion soon: a look at the history of emoji.
Why do we strain ourselves to apply scientific methods to the humanities, when the results of such studies always miss the point, asks Maria Konnikova. For those looking to do some field research on the fruits of the growing digital humanities movement before condemning them, the latest issue of the Journal of Digital Humanities is packed with interesting (and chart-filled) reads.
If you enjoyed the profile of Anne Carson in the latest New York Times Magazine – fictitious “ice bats” notwithstanding – you’re going to really love Parul Sehgal and Nathan Huffstutter’s two takes on Red Doc>. The work, Sehgal writes, is “suspended between what it is and what we want it to be.” And also, writes Huffstutter, it’s a work that “courses with a wit shot through with intelligence and humility.”