This week, Granta redesigned its website, which now boasts a spiffy black-and-white aesthetic. If you’re looking for an excuse to check it out, you could do worse than reading Year in Reading alum Hari Kunzru’s “Drone,” a story which appears in their India issue. (They’re also highlighting great pieces from their archives, among them the story “Night” by Alice Munro.)
The brand new Library of Birmingham opens next week, and the gigantic structure is said to be “Europe’s largest public library.” In addition to its modern architecture, the facility also offers “a room from the 19th Century … to house one of the UK’s most important Shakespeare collections.”
Ordinarily I would caution against reading a novel’s first draft, however in the case of Finnegans Wake, perhaps all rules should be tossed out the window. With this one, it seems as though any and all supplemental material might help unlock the finished product’s mysteries. Case in point: the entire first draft of Joyce’s most perplexing novel. (Of course, when all else fails, there’s always Michael Chabon to save the day.)
Perhaps the best mashup of highbrow and lowbrow to grace the cultural ether in recent years is this innovative scratch-and-sniff guide to becoming a wine expert. The book, which is exactly what you think it is, declares that “not all oaks are created equal” and includes a diagram of “all the smells in the world.” (Related: literary tourism at Suttree’s High Gravity Beer Tavern.)
“We have documented cases of at least 47 writers and journalists currently imprisoned in China. The average sentence for a writer is eight years in prison, and some sentences are even harsher.” PEN American Writers send a letter to Xi Jinping, President of the People’s Republic of China, in response to his visit to the U.S. We have a few pieces about censorship to pair with it.
If you’ve been on the Internet in the past week, you’ve probably heard about Beyoncé’s incredible new record, Lemonade. Noah Friedman at Wordshop 101 explains why Lemonade is great press for poets (particularly Warsan Shire, who is featured in the film). Andrew Kay writes on how reading poetry aloud connects us with the dead.