Mavis Gallant, who passed away a year ago this February, published a total of a hundred and sixteen short stories in The New Yorker, which puts her on par with short story factories like John Cheever and John Updike. Yet by the time she died, she was penniless and alone, a fact which worried the few people in Paris who knew her well. In The Walrus, David MacFarlane examines what her writing meant to him. Pair with: Laurel Berger on her own fascination with the author.
“Good TV is not merely good TV (i.e. better-than-average TV), but TV that is so good it deserves to be taken as seriously as great films and even great Literature (yes, with a capital ‘L’). As such, watching Good TV and discussing Good TV are qualitatively different than watching and talking about other kinds of TV. The emergence of Good TV is a rather big deal in the recent history of American culture. It may well be one of the top two or three cultural developments of this still-young century.” Todd Hasak-Lowy dissects the TV revolution. (Pair with: our own Michael Bourne on the new age of cable and Broadway.) (h/t The Rumpus)
Today sees the arrival of a unique title from the Center for the Art of Translation. Wherever I Lie Is Your Bed provides translated poetry and fiction from 30 writers and is meant to introduce English-speaking readers to writers whose work would otherwise be difficult or impossible to find in English. Elsewhere, the biggest literary release of the week is Vladimir Nabokov’s The Original of Laura, which has caused no small amount of consternation among critics, and Alice Munro’s latest collection, Too Much Happiness, which can be expected to be more warmly received. On the non-fiction side, a new collection of Zadie Smith essays came out last week.
“It’s about what they call Native Excellence — and creating a path to it with its own expectations and standards, instead of relying on those established by white academia or publishing.” BuzzFeed News wrote an in-depth feature on the Institute of American Indian Arts (IAIA), which offers the US’s first indigenous-centered MFA program, Terese Marie Mailhot (author of Heart Berries: A Memoir), and Tommy Orange (author of There There). Read our interview with Marcie Rendon about writing a representative novel for today’s Native Americans.
Joe Kubert died this week at the age of 85. Perhaps best known as the DC comics legend responsible for such characters as Sgt. Rock, Hawkman, Enemy Ace, and Tor, Kubert was also the founder of The Kubert School, the only accredited trade school for comic book artists in the country. You can check out a video of Kubert talking about digital comics over here.