Recommended reading: on the power of language and class, or, “How English Ruined Indian Literature.”
For those who like their celebrity fashion with a voluptuous lashing of satire, this Fug’s for you. Check out the maybe-not-so-pretty fashion blog Go Fug Yourself‘s Grammy Awards coverage–or lack of coverage, as was (quelle suprise!) the case with Britney Spears.
Writer James Salter died on Friday. We interviewed him in 2012 and he reflected on memory and on his long life as a writer. He said, “Everything you know, nobody else knows, and everything you imagine or see belongs to you alone. What you write comes out of that, both in the trivial and deepest sense.” Prior to that, in 2010, Sonya Chung wrote about Salter’s legacy and how he finally seemed to be getting his due as more than just “a writer’s writer.”
It’s rare that a writer decides his new novel will be his last, but that’s exactly what Michael Faber has done with regards to his latest, which comes out this week. In the Times, he talks with Alexandra Alter about his decision, saying: “I felt that I had one more book in me that could be special and sincere and extraordinary, and that that would be enough.” It’s probably a good time to read our own Bill Morris on the history of literary retirements.
Over at Catapult, Lynn Steger Strong writes on writing a novel that readers will read. As she puts it, “I was trying to explore the specific experience of living in the world while also living largely, sometimes to one’s own detriment, inside of books, inside one’s head.” Also check out this Millions piece, featuring six writers looking back on their first novels.
“In a new biography, The Lady with the Borzoi: Blanche Knopf, Literary Tastemaker Extraordinaire (Farrar, Straus & Giroux), Laura Claridge argues that Blanche Knopf was actually the more important and influential of the two Knopfs. That’s a stretch, but her book is still a long-overdue acknowledgment of the pioneering role Blanche played at a time when women were nearly invisible in the business world.” Find out more about Blanche Knopf at The New Yorker. Edan Lepucki’s 2011-2012 list on why not to self-publish is still relevant.