Recommended Reading: This interview with the director of the National Steinbeck Center.
Could it be for the best that Lisbeth Salander outlived her creator? Do writers own the rights to their own superstar characters, or do the rights belong to the readers? These questions and more are explored in a fascinating essay from The Atlantic. Here’s a Millions piece in which Pippi Longstocking is touted as Salander’s literary forebear.
For close to two decades now, the Rona Jaffe Foundation has honored “women writers of exceptional talent in the early stages of their careers” with annual Writers’ Awards worth $30,000 each. This year, the winners are Tiffany Briere (fiction/nonfiction); Ashlee Crews (fiction); Kristen Dombek (nonfiction); Margaree Little (poetry); Kirsten Valdez Quade (fiction); and Jill Sisson Quinn (nonfiction). The winners accepted their awards in a private ceremony on the 19th.
“… Stop talking about diversity and start decolonizing our shelves.”At the Winter Institute 2018 (Wi13), keynote speaker Junot Diaz lambasted the publishing industry for talking — but doing little else — about diversity in literature, and implored librarians and booksellers to fill their shelves with diverse books. From our archives: an essay on race, gender, and Diaz’s writing.
“I asked myself – why don’t I state the race of my characters? And am I doing something wrong by not explicitly including a diverse cast of characters? Could I be doing something better? The short answer is yes.” An argument in favor of race bent fanfiction and resisting assumedly white characters from The Missouri Review blog.
In 2013, poet and bookseller Alan Brandsted approached Seattle’s Wave Books with an interesting proposal: in exchange for a box of galleys and gas money, he would embark on a cross-country mission to “spread the good word of poetry to independent bookstores.” What followed is the ongoing Indie Bookstore Tour, which is being chronicled on Tumblr (hashtag “#wavepoetrytour”) and Instagram. (First Tumblr post can be found here.)