Recommended Reading: This interview with the director of the National Steinbeck Center.
“Now, I'm not going to lie. It's annoying, to have to take time out of my incredibly busy writing schedule in order to spell it all out for young people, just because they spend most of their daylight hours being urged by hoary old theorists in threadbare sweaters to write experimental fiction that will never sell. But I care deeply about the young—all of them, the world's young—so of course I am humbled and honored to share the trade secrets embedded in my rigorous daily work schedule.” Heather Havrilesky on her writing life.
Half a century ago, it would have been inconceivable to think that one day, the clack of typewriter keys would disappear from daily life. The rise of the personal computer, in Sadie Stein’s words, turned an everpresent sound into a “living anachronism.” She reflects on the value of the typewriter in a blog post for The Paris Review Daily. (It might also be a good time to read our own Bill Morris on typewriters and pen pals.)
"Start with the novel’s climax (often the first thing you know about it, its most striking moment) and work backward, asking why-why-why. Then write forward." Nell Zink at The Lithub on how to become a novelist in 10 easy steps. See also our interview with Zink from last week.