A team of archaeologists just found Cervantes‘s body, and while that seems like a fun literary and historical event, the New Yorker‘s Ilan Stevens has a slightly different perspective: “Frankly, there is something creepy about bringing Cervantes back from the dead.”
“The myth of the full-time writer is a perniciously sticky one—and it doesn’t help that once in a blue moon a J.K. Rowling does come along, thereby entrenching the cultural delusion that being a full-time writer is a thing that could realistically happen. But the truth is that being a full-time writer is basically just the literary equivalent of a career in the NBA.” Liz Entman Harper talks with seven writers about the struggle to balance writing with a day job, and those interviews pair well with our own Emily St. John Mandel‘s look at “Working the Double Shift.”
“I haven’t met Drake, but I have of course met people who have met Drake. But you have to realize how o-l-d I am. I’m not likely to go to the same parties. Or many parties at all, to be frank.” Junot Diaz interviews Margaret Atwood for The Boston Review. We obviously recommend you read our respective interviews with them both, too.
Out this week: a new novel, Dissident Gardens, by Year in Reading alum Jonathan Lethem; Subtle Bodies by Norman Rush; His Wife Leaves Him by Stephen Dixon; Goat Mountain by Year in Reading alum David Vann; Someone by Alice McDermott; and Enon by Paul Harding, which Joseph M. Schuster wrote about for The Millions yesterday.
When Octavia Butler died in 2006, she left behind unseen short stories. Butler’s agent has discovered two unpublished stories in the author’s papers. “A Necessary Being” features a lonely alien leader, and “Childminder” is about mentoring telepaths. The two stories will be published this summer in the collection Unexpected Stories.