A team of archaeologists just found Cervantes‘s body, and while that seems like a fun literary and historical event, the New Yorker‘s Ilan Stevens has a slightly different perspective: “Frankly, there is something creepy about bringing Cervantes back from the dead.”
Writing a novel is an all-consuming project, so can you imagine not telling anyone? At The New York Times, Alice Mattison discusses keeping her novels secrets until at least the third draft. "If I talk about the book, I believe — I cannot help believing — my characters will be angry, and will no longer confide in me about their embarrassing, troubled lives." On another side of the secrecy spectrum, Emma Straub writes about what it's like to keep a personal secret even as her literary life was booming.
The Beatles' remastered catalogue is probably the hottest rock release of the moment, but there are other notable new releases this month: The Stone Roses' 20th anniversary re-release double CD and The Pains of Being Pure at Heart (recently written up at The Millions)'s second full length EP, Higher Than the Stars.
Soon HBO will have another show based on an acclaimed book in its lineup. Olive Kitteridge, a show based on the Pulitzer Prize-winning novel by Elizabeth Strout, will premiere on November 2nd. You can see the trailer (along with a brief analysis) over at Slate. FYI, Strout wrote a Year in Reading entry for us.
The LA Times has a review up of Eula Biss's On Immunity: An Innoculation, an "elegant, intelligent and very beautiful book, which occupies a space between research and reflection." We covered the collection in our Second-Half 2014 Book Preview, and Biss's first book, Notes from No Man's Land, has appeared in several Millions pieces over the last few years.