“I wanted to offer my students an alternative to the purely confessional mode. I wanted them to write about themselves without falling into a paralyzingly portentous tone. I wanted more humor in their work, more complexity, more detail, more balance—more good writing. I wanted fewer italicized passages, less use of the breathless present tense. I wanted no more tears in the workshop, no more embarrassing scenes.” Emily Fox Gordon writes about trauma narratives in the classroom, the trouble with writing as therapy, and the key differences between confessing and confiding in an essay for The American Scholar.
Confessing / Confiding
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Submergence Coming to a Theater Soon?
U.S. film producers have acquired the movie option rights for J. M Ledgard’s Submergence, a book Kathryn Schulz called a “strange, intelligent, gorgeously written book” – among the best she read all of last year.
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Gothic 101
Does your story have a ghost or monster? Does your heroine faint frequently? Then you might be in a Gothic novel. The Guardian has infographics on how tell if you’re in a Gothic novel.
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Meant to Look Pretty
Are books on the way to becoming luxury objects? At Salon, Daniel D’Addario makes a case that they are, explaining how a new aestheticism in book design points to a future in which books function mainly as art objects. (While we’re on the subject of book design, it’s a good time to look back on our U.S.-U.K. book cover battle.)
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eBooks for the brain
By now we’re used to the age-old, tiresome books vs. ebooks debate: which one is cheaper, better-smelling, better for notes, better for authors, better for the Earth. But which one is better for the brain?
Demonstrate Uncertainty
The semester is officially in full swing, and sallying forth in the spirit of yesterday’s teaching theme, here is another list of rules for teachers–this time in the style of John Cage–from Anne Boyer over at The New Inquiry.
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Illustrated Whitman
Gavin Aung Than took Walt Whitman’s poem “When I heard the Learn’d Astronomer” and adapted it into illustrated comic book panels. This is the second time Than has illustrated the poet’s work.