This week the Paris Review launched a new online series, Big, Bent Ears, a “Serial in Documentary Uncertainty” masterminded by Sam Stephenson and Ivan Weiss. Each installation features “a combination of video, audio, photography, and writing in various arrangements and states of completion,” and the first chapter overlaps Joseph Mitchell and the Big Ears Music Festival even though “the two projects seem to share little: one concerns a wordsmith, a chronicler, and preserver of fading traditions; the other, musicians challenging tradition and musical forms on a sometimes radical basis.”
Our own Michael Bourne takes a look at Thomas King’s Inconvenient Indian, which struggled to find a publisher in the United States despite flying off the shelves in Canada. “The curious publication history of [the book],” Bourne writes, “serves as a window into the wide differences in the way mainstream Americans and Canadians view the Native peoples in their midst.”
It’s two weeks past Mardi Gras, so you’re probably ready to revisit New Orleans by now. Good timing. Narrative.ly has a week’s worth of stories on the Big Easy, entitled “Beyond Bourbon Street.” (Related: I recommend reading Tulane’s Richard Campanella’s recent piece for Design Observer: “Hating Bourbon Street.”)
Little, Brown & Company has pulled a mystery novel from the shelves after passages in the book were found to have been plagiarized from “a variety of classic and contemporary spy novels,” like James Bond novels and books by Robert Ludlum and Charles McCarry.