This week the Paris Review launched a new online series, Big, Bent Ears, a “Serial in Documentary Uncertainty” masterminded by Sam Stephenson and Ivan Weiss. Each installation features “a combination of video, audio, photography, and writing in various arrangements and states of completion,” and the first chapter overlaps Joseph Mitchell and the Big Ears Music Festival even though “the two projects seem to share little: one concerns a wordsmith, a chronicler, and preserver of fading traditions; the other, musicians challenging tradition and musical forms on a sometimes radical basis.”
Riverhead Books makes an amusing pun in a new fundraiser in which individuals can purchase 3D heads of Riverhead authors — Marlon James, Khaled Hosseini, Elizabeth Gilbert, Lauren Groff, Nick Hornby and more. Proceeds will go to the nonprofit Libraries Without Borders, which supports migrant and refugee populations in Europe by making books and learning materials accessible in multiple languages.
Millions contributor Magdalena Edwards just published a piece on Norman Rush in The LA Review of Books. It includes the first published excerpt from his forthcoming novel Subtle Bodies, which will be released in 2013. Additionally, Rush will read in a rare appearance at the Hammer Museum in Westwood tomorrow.
Diane Keaton writes in her upcoming memoir, Then Again, that “Going out with Woody Allen was like being in a Woody Allen movie.”
It’s a common trope in writing courses that young artists need a dose of childlike creativity. Self-help books for people with writer’s block are filled with callbacks to childhood interests. But is it possible, as Tasha Golden argues at the Ploughshares blog, that idealizing children isn’t the answer to our problems?