“There’s something to be said for allusive titles: they can be intriguing and draw you in. And obscure titles at least make a change from the current trend for The Woman Who Climbed out of Her Car and Mowed the Lawn. (I made that one up, though it could be a bestseller). But when it comes to titles that are simply misleading, there are just far, far too many.” In a piece for the Guardian Moira Remond considers some of the most misleading and misunderstood book titles, such as John Williams‘s Stoner (which our own Claire Cameron wrote about here.)
Brittany Oliver listed the “6 Most Influential Women Writers You’ve Never Heard Of” for PolicyMic, and she’s right. I’ve only heard of two of them.
“Perhaps it’s a sign that our literary culture is not quite so ailing that Smith managed to make a space for NW, to clear a third path, one that meanders through Willesden, through time, and through the mind.” Our own Emily M. Keeler on realism and Zadie Smith.
“In the days after the procedure I was sometimes so exhausted by movement that I would wait patiently for someone to come in and give me a paper cup of pills that was almost, not quite, out of my reach. But somehow, I would always contrive to get my pen in my hand, however far it had rolled… When Virginia Woolf’s doctors forbade her to write, she obeyed them. Which makes me ask, what kind of wuss was Woolf?” Hilary Mantel writes a diary on hospitalization for the London Review of Books.
You must obey (and read) your robot overlords! As if winning a literary award wasn’t already hard enough, a story co-authored by computers just made it through at least one round of judging at the Nikkei Hoshi Shinichi Literary Award competition in Japan. But don’t worry, you haven’t lost your job quite yet–the good news is that the programs still have “some problems … such as character descriptions.”
Editing poetry can be tricky, and the work is often misunderstood. Many of the best houses leave the work to the experts: actual poets. But is that the best route? Indeed, as this Telegraph article puts it, “a house’s tone and fortunes can be radically altered depending on the poet in charge of the poems of others.”