“Why, after all, do writers write? What is the impulse, the insistence on story, on seeing and representing the world? It has little to do with technology although everything to do with narrative, which is a purpose that, on the surface, technology also seems to share. The difference is that the writer creates narrative with intention, whereas technology merely gathers, or processes, information, leaving interpretation, analysis, up to us.” Let’s just say David L. Ulin doesn’t think Joyce would work for Google.
Beer bongs are never a good idea. Besides the killer hangover you’ll inevitably wake up with the next morning, you might also steal literary art. When Mitchel Potter was a frat boy in 1987, he stole a bronze bust of Robert Frost from Wichita State University and hid it in his basement for 25 years until someone tipped off the police. Ironically, Potter didn’t even know who Frost was, but the prosecutor read “The Road Not Taken” at his trial.
Over at Aeon, Alana Massey writes about memory and how the internet archives personal data. In her own words, “Because the archiving technology captures only snapshots of a site at a given time, results might not be an exact replica of the site as it was. As I learned from the fragments of our site, things such as embedded media might be missing and scripts are unlikely to work. After all, a toy boat is hardly its former self after a lifetime at the bottom of the sea. No matter how intact an archive, it can never fully reconstruct the texture and completeness of the original memory.”
Do you want to start a small press? Take advice from Spencer Madsen of Sorry House. In his article “I Made the Mistake of Starting a Small Press and So Can You” at The Toast, Madsen recommends making the book look “better than a breakfast burrito” and listening to 2 Chainz to get started. Pair with: Our article on how Curbside Splendor became a small press to watch.