Recommended reading: Peter Hessler writes about spending a week on tour with his Chinese censor.
“I began to wonder: what would a manifesto for bad poetry look like? Would it differ either superficially or deeply from the art’s graver manifestos? It really wouldn’t have to. It would merely have to persuade, and persuasion sounds very much the same whether it is honest or dishonest. If it was any good it would hold great attractiveness as a snappy piece of writing, but, if followed, it would be certain to produce bad poetry. Some harmless sophistry. In this it would be more effective than any positive manifesto, because, if guided well, no-one who sets out to write a bad poem is going to accidentally write an excellent one.” Erik Kennedy lays out a manifesto for bad poetry, titled “Precepts for Perfection in Poetry,” for The Rumpus. For a counterpoint, pair with our own Nick Ripatrazone‘s look at very good and very sad poetry, “The Saddest Poem Ever Written.”
Recommended Reading: Lydia Davis’s new short story, “Old Men Around Town,” in the New Statesman. “He stops to tell us that he must be up early in the morning – to get down to the factory. The factory is gone, his men are gone, but he still seems to be in charge of something.” For more Davis, check out her new collection.
“In the 1970s it circulated among Left Bank intellectuals, including Sartre and Bernard-Henri Lévy, as an aid to productive writing. In 1981 it was listed as a controlled substance in the US and in 1986, after it was scheduled under the WHO Convention on Psychotropic Substances, it was removed from prescription sale.” The London Review of Books reviews two histories about the role of drugs in the fighting of wars, Blitzed: Drugs In the Third Reich by Norman Ohler and Shooting Up: A History of Drugs in Warfare by Łukasz Kamieński Hurst. Both pay particular attention to Captagon (the name a portmanteau of “captain” and “pentagon”), a pharmaceutical that has become common throughout Eastern Europe, the Gulf States, India, and China, and by 2014 “had become a significant source of funding for all sides in Syria’s civil war.”