Well, Cervantes‘s body was just found, and there are some varying opinions about whether or not that’s a great thing for Spain and Spanish literature. What is almost definitely not a great thing for either: the pornographic Spanish Don Quixote cartoon from the seventies.
“An appreciation of readers as diverse individuals with different tastes should be a basic tenet of criticism. Instead, it’s common for critics to imagine that their aesthetic preferences are the reflections of “readers” or a special class of readers—“serious readers,” “imaginative readers,” “brave readers,” or some other ill-defined category—whose views truly matter.” Lincoln Michel explains why “there’s no such thing as a fake reader” in an essay for Electric Literature.
Back in July, Patricia Lockwood lit up the Internet with “Rape Joke,” a harrowing poem. Now, at The Rumpus, Lauren O’Neal interviews Lockwood, who talks about “Rape Joke,” the subsequent reaction and her 2012 book, Balloon Pop Outlaw Black. You could also read Elisa Gabbert on Lockwood’s Twitter followers.
Up until 1999, Italian college students were required to write longform theses, which explains why Umberto Eco felt the need to write a guide to completing one. Eco being Eco, however, the guide went on to become a classic with many applications. At Page-Turner, Hua Hsu explains why the author’s writing manual is also a guide to life. You could also read Hillary Kelly on Eco’s Confessions of a Young Novelist.
Folks who’ve read Mark O’Connell’s Epic Fail (excerpt) may have a perverse curiosity concerning Amanda McKittrick Ros. Widely considered to be one of the worst authors ever to write, McKittrick Ros’s infamous 1887 novel Iddesleigh is available for free download.
For the theory-obsessed, soon-to-be liberal arts graduate on your list: the essential Verso Books undergraduate reading list.