“So much of the way books get classified has to do with marketing decisions. I think it’s more useful to think of literary books and sci-fi/fantasy books as existing on a continuum. To oppose them, to suggest that one category excludes the other, always feels bogus to me.” Talking with Karen Russell.
In 1998, Matthew Stokoe kicked off his career as a novelist with Cows, a stomach-turning book set largely in the confines of a slaughterhouse. Now, Stokoe has written a book with a somewhat ironic title, considering it dials down the obscenity in comparison to his early work. Drew Smith interviews the author over at Full-Stop.
The Economist gives a succinct explanation of “why books come out in hardback before paperback,” but their answer feels almost too simple. For a fuller understanding of the paperback / hardback question, pair The Economist‘s article with Nichole Bernier‘s Millions piece on “The Point of the Paperback.”
Getting a director for Stephen King’s The Stand was almost as difficult as surviving the virus. The latest director to try is Josh Boone, who is no stranger to adaptations because he’s bringing The Fault in Our Stars to screen. To brush up on your King, read our essay on learning about America through his novels.
The movie adaptation of A Wrinkle in Time premiered this week. Before or after you see the movie (there are some spoilers if you haven’t seen it or read the book) read this essay by Alanna Bennett on the simple, but revolutionary power of the story and Ava DuVernay’s book-to-screen vision.