You may have read some portion of the infamous Watergate transcripts. What you probably haven’t read is quotes from the transcripts rearranged into poetry. At The Paris Review Daily, a few representative poems by Richard Nixon, including “I Can’t Recall,” “The Position” and “In the End.” You could also read our own Michael Bourne on Thomas Mallon’s book Watergate.
Following the news that Beyoncé sampled a TED talk given by Year in Reading contributor Chimamanda Ngozie Adichie, Tin House dug up an interview with the author, who says that to this day, when she looks at the manuscript of Americanah, she feels “thrilled and amazed that [she] actually finished writing this.”
A couple months ago, I linked to a new Granta series in which authors select one of their own first sentences and recall how they came to it. This week, Patrick French explains the first sentence of a nonfiction piece titled “After the War” (available in Granta 125) by digging up an old photograph that shows how the Edwardian English were “stitched and machined into a grid of expectations.”
“‘I just want to be normal,’ she said, even though she had amazing powers and a super-family and was mega-gorgeous and better than normal in every way and the entire book would be terrible if she were normal and she had no conception of what normal was to begin with.” At The Toast, Mallory Ortberg lists flaws only a protagonist could have.
“People are deeply uncomfortable with the idea that the characters they love and regard as people, real people, were made up by someone, especially if that someone is a woman.” Cassandra Clare, the author who began by writing fanfiction and went on to pen the wildly successful The Mortal Instruments series, talks about her work with Penelope Green.