“How is it possible that a smallish army of discerning readers agree that Jim Harrison is one of the few truly great living American writers, yet he has not gotten the wider audience—or the widespread praise—he so plainly deserves?” Our own Bill Morris has some theories.
Theories on Jim Harrison
Sargent and Friends
In the latest issue of The New York Review of Books, Jean Strouse brings us inside John Singer Sargent’s inner circle. The exhibition, “Sargent: Portraits of Artists and Friends,” is on view at the New York Metropolitan Museum of Art until October 4th. You could also read Edra Ziesk’s piece on what makes a friend.
●
●
Worse than the Delaware
You may have heard that The Paris Review Daily is recapping Dante’s Inferno. This week, Alexander Aciman guides readers through Canto 8, better known as the Canto in which Dante crosses the river Styx.
●
●
Reading Gregor Samsa’s Chart
Have you ever wondered about the astrological sign of your favorite literary character? The writers behind Astro Poets have you covered.
●
●
●
Save the Adverb (Heroically)!
“It reminded me once again that we desperately lack a full-throated defense of this runt of the grammatical litter. We need an outright celebration of adverbs, and it is that celebration that I offer—stridently, boisterously, unapologetically.” Colin Dickey at Slate passionately, unabashedly defends the adverb.
2 comments:
Add Your Comment: Cancel reply
This site uses Akismet to reduce spam. Learn how your comment data is processed.
Dude You’re Ready
“I started zoning out a little. My eyes drifted over toward my cat. Mr. Patterson pulled me right back in by saying, ‘Once you have the outline, start writing dude, you’re ready.’ It was that dude that woke me.” At The Awl, Patrick Hoffman reviews James Patterson’s MasterClass on writing. Pair with Bill Morris‘s account of losing his Pattersonian virginity at 32,000 feet.
●
●
Samuel Beckett Wears Short Shorts
From the Sentences We Thought We’d Never Write Department: Samuel Beckett shows some leg.
To the Moon and Back
David Seed looks back on more than two millennia of the moon in literature, from Galileo to Jules Verne to Johannes Kepler to Edgar Allan Poe.
●
●
●
Because his macho horseshit has no purchase in today’s culture. He’s an anachronism, and a corny one at that. One James Dickey was enough.
A friend one described Jim Harrison as a “rescue writer.” He is the writer you can go to after reading something poorly written or poorly imagined to get solace and recovery.