We’re all familiar with the Grimm-style fairy tales, with their evil stepmothers and imperiled princesses. But a new collection of 19th century Bavarian folk tales has been discovered, edited, and now released in English for the first time, and they’re darker, dirtier, and involve more gender-bending than the Grimm tales. Salon talks with the tales’ translator, Maria Tatar, about their history, importance, and “the surprising ways they upend our long-standing notions of the roles of heroes and heroines in some of Europe’s oldest and most popular stories.”
Chloe N. Clark writes about magical reveals in fiction. As she explains it, “authors, like magicians, need to know when the best moment to pull back the curtain is.” Pair with this Millions essay on using light and a full palette of color to paint fiction.
"He wrote the first drafts by hand, and when that became too difficult, dictated sections of the book into a tape recorder." Before his death in July, playwright and actor Sam Shepard wrote a novel called Spy of the First Person, which is forthcoming from Knopf in December. From our archives, a list of writers who also act.
Now that Louise Erdrich has won the National Book Award, it's worth looking back on her interviews from recent years. You can read her piece in the Art of Fiction series, published in 2010 in The Paris Review; you could try her interview with the Times from back in October; or else you could take a look at her sit-down with The New Yorker in April. (This probably goes without saying, but you could also just read her new novel.)
Tonight at Columbia: A conversation with Gary Shteyngart, author of The Russian Debutante’s Handbook, Absurdistan, and most recently Super Sad True Love Story. Moderated by McKenzie Wark, professor of media and cultural studies at The New School and author of Gamer Theory. "Rewiring the Real" at 6:30 P.M.