We’re all familiar with the Grimm-style fairy tales, with their evil stepmothers and imperiled princesses. But a new collection of 19th century Bavarian folk tales has been discovered, edited, and now released in English for the first time, and they’re darker, dirtier, and involve more gender-bending than the Grimm tales. Salon talks with the tales’ translator, Maria Tatar, about their history, importance, and “the surprising ways they upend our long-standing notions of the roles of heroes and heroines in some of Europe’s oldest and most popular stories.”
I’ve gotten a little behind in my reviews of books I’ve read recently. Maybe I’ll get to it this weekend or early next week. In the meantime here are three literary links that caught my eye today:The many challenges of turning books with non-textual elements into audiobooks. Also discussed: how to verbally render David Foster Wallace’s copious footnotes. (New York Times).Daedalus, the big remainder house, is opening a standalone bookstore in Baltimore (Baltimore Sun). Previously: I discuss remaindered books – and buy some, too!A mysterious person – or possibly persons – has been placing roses and a bottle of cognac on Edgar Allen Poe’s grave each year for 57 years on the anniversary of the writer’s birthday. This year some nosy people got in the way, but the meaning behind the ritual and the identity of the visitor remains hidden. (Guardian)
“Dickinson wasn’t a madwoman, but she was maddened with rage—against a culture that had no place for a woman with her own fiercely independent mind and will.” On Emily Dickinson’s self-creation at Lit Hub. Pair with a piece on Paul Legault’s English-to-English translations of Dickinson’s poems.
“I have a girl brain but in a boy body. This is called transgender. I was born this way!” The Los Angeles Times reports on an elementary-school teacher reading I Am Jazz, written by transgender teenager Jazz Jennings, with her class; encouragingly, not that many parents freak out. Pair with writer T.K. Dalton reflecting on how to traverse the terrain of books, children, and gender.