Ralph Waldo Emerson called him “the jingle-man.” Henry James called his work “decidedly primitive.” Yet Edgar Allan Poe, nearly two centuries after his death, is now acclaimed as a writer on par with his best contemporaries. How did his reputation evolve? In the Times Literary Supplement, Marjorie Perloff reviews a new study of Poe by Jerome McGann.
The Craven
“That’s some catch, that Catch-22”
Vanity Fair takes a closer look at Joseph Heller's tragicomic novel Catch-22. If you're in NYC this August, you can supplement this reading with McNally Jackson's "Ask Me About..." series.
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An Experimental Review of an Experimental Translation
Matthew Jakubowski’s “experimental review” of Yoko Tawada’s Portrait of a Tongue is unlike anything you’ve read in months, and I promise you that.
The Philosopher’s Lunch
"Another example of Chomsky humour: he calls his assistant’s dog, 'Cat.'" Financial Times sits down for a meal with linguist and philosopher Noam Chomsky.
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“My school was on fire.”
Recommended Reading: Everything being written by Delaney Nolan – the most recent example of which being “I Was a Teenage Arsonist.”
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Mantel Takes the Costa
Hilary Mantel added a Costa Book Award to her evermore decorated mantle following a unanimous vote in favor of her latest historical novel, Bring Up the Bodies.
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“Life, friends, is boring”
“These were not like other poems: within their consistent 16-line armature they were turbulent, mad, feverish, cryptic, an unruly union of boppy jive-talk, and thorny quasi-Elizabethan diction. It was impossible to tell who was speaking, or to whom; poems ended in mid-syllable, bristled with random phrases in foreign languages, sported menacing-looking accent marks and Shakespearean contractions, were riddled with ampersands and ellipses.” At The Rumpus, a memory of falling in love with The Dream Songs (which happens to nicely complement a piece we published back in April).
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