“[Emily] Dickinson is often portrayed as some white gossamer recluse, completely divorced from the world outside her bedroom—but that is not really true. The physical circumference of her adult life was small, but its psychological terrain was boundless.” This piece explores the ways in which Emily Dickinson’s work was shaped by her skills as a gardener and naturalist.
“The literature by Vietnamese and Vietnamese-Americans is out there for anyone who knows how to use Google. But so many here and abroad would rather not know, or when a new Vietnamese author is published, would prefer to say, ‘At last! A voice for the Vietnamese!’ In fact, there are so many voices, for the Vietnamese people are very loud.” Pulitzer Prize winner and Year in Reading alumnus Viet Thanh Nguyen (The Sympathizer) writes in The New York Times about the diversity of Vietnamese writing, too often ignored in favor of war narratives and the voices of American veterans. (For an incredible syllabus of books to fill in the gaps, see the middle of his piece.)
The National Book Critics Circle Awards were announced last night, and the winners might be familiar to Millions readers: last year, our own Matt Seidel reviewed fiction prize winner The Sellout, and the Football Book Club read Maggie Nelson’s winner in the criticism field, The Argonauts. Head on over to The Guardian for more details.
Overt at JSTOR Daily, Allana Mayer writes about visual literacy in the age of the Internet. As she explains it, “We have similar stories all throughout history: the moment when a perception—whether a literal way of seeing or a figurative mode of thinking—is assaulted and fundamentally shifts.” Pair with our own Bill Morris’s piece on the new Whitney Museum.
Perhaps best known for her fiction, specifically her classic The Group, Mary McCarthy became a novelist almost by chance. “McCarthy was good at recycling – a term which she used herself – and good, also, as she admitted, at plagiarizing her own life. Nevertheless, her fiction lives, and some of it has been highly influential.” Margaret Drabble takes us through McCarthy’s major works of fiction, featured in Mary McCarthy: The Complete Fiction which was released this year in a deluxe collection for the very first time.