Self-Portraits and Sherry
Curiosities
Who killed the literary critic?: “In the age of blogging, great critics appear to be on life support. Salon’s book reviewers discuss snobbery, how to make criticism fun and the need for cultural gatekeepers.” The ongoing, seemingly never ending discussion of the death of literature and criticism continues, though Salon’s interest in “how to make criticism fun” is a promising sign.Online used book marketplace AbeBooks looks at the yearbook collecting subculture. The most expensive yearbook to every be sold on the site? The Ole Miss Yearbook 1921 containing “William Faulkner’s poem, ‘Nocturne,’ in facsimile of the author’s stylized printing over a two-page spread along with several Faulkner drawings.”Buzz presents the Nixon Rock on his Madonna of the Toast blog.Carolyn has been on an enviable literary-themed roadtrip. Luckily we can read along at home.
Appearing Elsewhere
A slightly different version of my story “Salt Lick” (originally published in 2006, in the Los Angeles Times Magazine) is now at Flatmancrooked.
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Take Two
Last week, to mark the release of The First Bad Man, we interviewed Miranda July here at The Millions. In Bookforum, you can read another interview with July, who talks about striving to mimic the feeling of “purposely unfinished work.”
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We Asked For It
Sinclair Lewis tried to warn us and we didn’t listen–it can always happen here. Over at The Literary Hub, this piece takes a look at Lewis’s 1935 political novel It Can’t Happen Here as a mirror for Donald Trump’s unlikely rise to political superstardom.
Bowie is Among Us
Graywolf Press’s Poem of the Week is “Don’t You Wonder, Sometimes?” by David Bowie-fan Tracy K. Smith. She writes, “Bowie will never die. Nothing will come for him in his sleep / Or charging through his veins.” Pair with Sophia Nguyen’s Millions review of Smith’s new memoir, Ordinary Light.
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Dog Eat Dog
“I haven’t been able to write since the moment I started thinking I could or should be making money as a writer.” Meritt Tierce with a refreshingly candid piece on writer’s block and how success doesn’t always negative the likelihood of failure.
A Bit Rusty
Most of our discussions about changing the canon revolve around adding onetime marginalized writers. But there’s a flipside to this — who do we need to eject? In a Bookends column for the Times, James Parker and Francine Prose pick greats that are no longer great.
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